Dylan Moran

Dylan Moran
Dylan William Moran is an Irish comedian, writer, actor and filmmaker. He is best known for his sardonic observational comedy, the UK television sitcom Black Booksand his work with Simon Pegg in Shaun of the Dead and Run Fatboy Run. He appeared as one of the two lead characters in the Irish black comedy titled A Film with Me in It in 2008...
NationalityIrish
ProfessionComedian
Date of Birth3 November 1971
CityLondon, England
CountryIreland
People walk past me in the street and look at me, but because they think I work in their office and they can't remember my name.
America is this incredible mosaic of immigrants, so people really want to be anchored in some kind of culture as well as the one they are living in.
I just wish I had longer. It's very frustrating. As you know, to people over here, cities like [Washington] D.C. are iconic. We know them so well. It's very frustrating to be in one of them for 36 hours and have a show to do because you can't really do anything.
I always try to address where I am. I'll talk to the people and try to find out what it is about that particular place that makes it distinct from everywhere else.
Two young, fit, healthy attractive people in love? There’s nothing worse to look at in the world.
You can see desperation in people who are too eager to laugh because they're in such a hurry not to look at what's confronting them in their lives and that's kind of sad because there's a kind of pornographic aspect to it, of making some sort of pain go away, of hovering around a pain, making yourself numb, not feel anything.
I know there's similar dissatisfaction in America. There's a lot of white people who come from blue collar backgrounds and who feel ill-equipped and badly served by modern economics and the modern job market.
I've seen stand up comedy, and after a while you start to notice that a lot of people are doing things that are like a lot of other people. There can be a bit of a herd mentality, and that's obviously less interesting because there's less going on. I'm just being totally frank with you.
Of course people are angry. Generation upon generation had jobs at steel mills or whatever - things were going on and it looked like it would always be that way. And then there's these cataclysmic changes and people find themselves out on their arse and they're angry and they want answers. But one thing that's for sure is that those answers will not come in the form of Donald J. Trump.
The measure of a conversation is how much mutual recognition there is in it; how much shared there is in it. If you're talking about what's in your own head, or without thought to what people looking and listening will feel, you might as well be in a room talking to yourself.
I'll have to look into [Washington] D.C. a bit more. I know it's given over to the administration and the bureaucracy connected to it. It's a super-organism of the American state. But there's also a parallel city in there where normal people live.
People will kill you over time, and how they'll kill you is with tiny, harmless phrases, like 'be realistic.'
I draw hundreds and hundreds of pictures of sort of gnarly looking men, so I don't know what that tells you. People who look like... they're waiting for a sandwich that's never going to come. I don't know what's wrong with me.
I wouldn't be in a huge hurry to go back to Kansas. It was just bizarre. There's a lot of very, very heavy set people who believe in whatever they were told, because they didn't seem to get out very much or be interested in leaving where they were. They just didn't seem that curious, and I find that a little hard to deal with.