Quotes about photography
photography thinking water
People who wouldn't think of taking a sieve to the well to draw water fail to see the folly in taking a camera to make a painting. Edward Weston
photography gone matter
I was extravagant in the matter of cameras - anything photographic - I had to have the best. But that was to further my work. In most things I have gone along with the plainest - or without. Edward Weston
photography lying artist
"Only with effort can the camera be forced to lie: basically it is an honest medium: so the photographer is much more likely to approach nature in a spirit of inquiry, of communion, instead of with the saucy swagger of self-dubbed "artists"." Edward Weston
photography vision patterns
When subject matter is forced to fit into preconceived patterns, there can be no freshness of vision. Following rules of composition can only lead to a tedious repetition of pictorial cliches. Edward Weston
photography ideas perfect
Photography suits the temper of this age - of active bodies and minds. It is a perfect medium for one whose mind is teeming with ideas, imagery, for a prolific worker who would be slowed down by painting or sculpting, for one who sees quickly and acts decisively, accurately. Edward Weston
photography program appeals
My true program is summed up in one word: life. I expect to photograph anything suggested by that word which appeals to me. Edward Weston
photography today spirit
Photography, not soft gutless painting, is best equipped to bore into the spirit of today. Edward Weston
photography school cities
It seems so utterly naive that landscape - not that of the pictorial school - is not considered of "social significance" when it has a far more important bearing on the human race of a given locale than excrescences called cities. Edward Weston
photography eye ideas
My own eyes are no more than scouts on a preliminary search, or the camera's eye may entirely change my idea. Edward Weston
photography steel substance
The camera should be used for a recording of life, for rendering the very substance and quintessence of the thing itself, whether it be polished steel or palpitating flesh. Edward Weston
photography lenses want
I want the stark beauty that a lens can so exactly render presented without interference of artistic effect. Edward Weston
photography mean wells
To compose a subject well means no more than to see and present it in the strongest manner possible. Edward Weston
photography quality exposure
I see my finished platinum print (in the viewfinder) in all its desired qualities, before my exposure. Edward Weston
photography understanding important
The photograph isolates and perpetuates a moment of time: an important and revealing moment, or an unimportant and meaningless one, depending upon the photographer's understanding of his subject and mastery of his process. Edward Weston
photography strong records
There is nothing like a Bach fugue to remove me from a discordant moment... only Bach hold up fresh and strong after repeated playing. I can always return to Bach when the other records weary me. Edward Weston
photography art opportunity
The... arguments against photography ever being considered a fine art are: the element of chance which enters in, finding things ready-made for a machine to record, and of course the mechanics of the medium. ...I say that chance enters into all branches of art: a chance word or phrase starts a new trend of thought in a writer, a chance sound may bring a new melody to a musician, a chance combination of lines, new composition to a painter. ...Chance - which in reality is not chance - but being ready, attuned to one's surroundings - and grasp my opportunity.... Edward Weston
photography film process
Since the recording process is instantaneous, and the nature of the image such that it cannot survive corrective handwork, it is obvious that the finished print must be created in full before the film is exposed. Edward Weston
photography reason obvious
I see no reason for recording the obvious. Edward Weston
photography grace tonight
...the pepper is beginning to show signs of strain, and tonight should grace a salad. It has been suggested that I am a cannibal to eat my models. Edward Weston
photography rocks looks
This then: to photograph a rock, have it look like a rock, but be more than a rock. Edward Weston
photography men people
Ultimately success or failure in photographing people depends on the photographer's ability to understand his fellow man. Edward Weston
photography art creativity
The prejudice many photographers have against colour photography comes from not thinking of colour as form. You can say things with colour that can't be said in black and white... Those who say that colour will eventually replace black and white are talking nonsense. The two do not compete with each other. They are different means to different ends. Edward Weston
photography moving knowing
Very often people looking at my pictures say, 'You must have had to wait a long time to get that cloud just right (or that shadow, or the light).' As a matter of fact, I almost never wait, that is, unless I can see that the thing will be right in a few minutes. But if I must wait an hour for the shadow to move, or the light to change, or the cow to graze in the other direction, then I put up my camera and go on, knowing that I am likely to find three subjects just as good in the same hour. Edward Weston
photography law littles
Now, to consult the rules of composition before making a picture is a little like consulting the law of gravity before going for a walk. Edward Weston
photography matter photographer
Anything that excites me for any reason, I will photograph; not searching for unusual subject matter, but making the commonplace unusual. Edward Weston
photography perfection important
For photography is a way to capture the moment - not just any moment, but the important one, this one moment out of all time when your subject is revealed to the fullest - that moment of perfection which comes once and is not repeated. Edward Weston
photography hard-work matter
Photography to the amateur is recreation, to the professional it is work, and hard work too, no matter how pleasurable it my be. Edward Weston
photography eye why-not
The camera sees more than the eye, so why not make use of it? Edward Weston
photography squirrels long
The fact is that relatively few photographers ever master their medium. Instead they allow the medium to master them and go on an endless squirrel cage chase from new lens to new paper to new developer to new gadget, never staying with one piece of equipment long enough to learn its full capacities, becoming lost in a maze of technical information that is of little or no use since they don't know what to do with it. Edward Weston
photography cutting giving
If I have any 'message' worth giving to a beginner it is that there are no short cuts in photography. Edward Weston
photography car yards
Anything more than 500 yards from the car just isn't photogenic. Edward Weston
photography people stuff
Digital photography and Photoshop have made it very easy for people to take pictures. It's a medium that allows a lot of mediocre stuff to get through. Edward Burtynsky
photography years space
I can go into the wilderness and not see anyone for days and experience a kind of space that hasn't changed for tens of thousands of years. Having that experience was necessary to my perception of how photography can look at the changes humanity has brought about in the landscape. My work does become a kind of lament. Edward Burtynsky