Quotes about photography
photography eye thinking
It is essential for the photographer to know the effect of his lenses. The lens is his eye, and it makes or ruins his pictures. A feeling for composition is a great asset. I think it is very much a matter of instinct. It can perhaps be developed, but I doubt if it can be learned. To achieve his best work, the young photographer must discover what really excites him visually. He must discover his own world. Bill Brandt
photography paper shade
No amount of toying with shades of print or with printing papers will transform a commonplace photograph into anything other than a commonplace photograph. Bill Brandt
photography dark light
And only the photographer himself knows the effect he wants. He should know by instinct, grounded in experience, what subjects are enhanced by hard or soft, light or dark treatment. Bill Brandt
photography dare mediums
Photography is still a very new medium and everything must be tried and dare. Bill Brandt
photography philosophy mean
To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it. The photographer creates, evolves a better, more selective, more acute eye by looking ever more sharply at what is going on in the world. Like every other means of expression, photography, if it is to be utterly honest and direct, should be related to the life of the times-the pulse of today. The photograph may be presented as finely and artistically as you will, but to merit serious consideration, must be directly connected with the world we live in. Berenice Abbott
photography years age
Abstraction in photography is ridiculous, and is only an imitation of painting. We stopped imitating painters a hundred years ago, so to imitate them in this day and age is laughable. Berenice Abbott
photography hangover looks
What to me is anathema - a corpse-like, outmoded hangover - is for photography to be a bad excuse for another medium. ... Is not photography good enough in itself, that it must be made to look like something else, supposedly superior? Berenice Abbott
photography space vision
The lens freezes time and space in what may be an optical slavery or, contrarily, the crystallization of meaning. The limits of the lens' vision are esthetically often a virtue. Berenice Abbott
photography ideas people
I wanted to combine science and photography in a sensible, unemotional way. Some people’s ideas of scientific photography is just arty design, something pretty. That was not the idea. The idea was to interpret science sensibly, with good proportion, good balance and good lighting, so we could understand it. Berenice Abbott
photography real believe
I believe there is no more creative medium than photography to recreate the living world of our time...Photography gladly accepts the challenge because it is at home in its element: namely, realism-real life-the now. Berenice Abbott
photography art years
Photography was the medium preeminently qualified to unite art with science. Photography was born in the years which ushered in the scientific age, an offspring of both science and art. Berenice Abbott
photography ducks water
I took to photography like a duck to water. I never wanted to do anything else. Excitement about the subject is the voltage which pushes me over the mountain of drudgery necessary to produce the final photograph. Berenice Abbott
photography world imagine
Imagine a world without photography, one could only imagine. Berenice Abbott
photography art mean
The challenge for me has first been to see things as they are, whether a portrait, a city street, or a bouncing ball. In a word, I have tried to be objective. What I mean by objectivity is not the objectivity of a machine, but of a sensible human being with the mystery of personal selection at the heart of it. The second challenge has been to impose order onto the things seen and to supply the visual context and the intellectual framework - that to me is the art of photography. Berenice Abbott
photography emotion teach
Photography doesn't teach you to express your emotions; it teaches you how to see. Berenice Abbott
photography growing-up mediums
Photography can never grow up if it imitates some other medium. It has to walk alone; it has to be itself. Berenice Abbott
photography people photographer
Photography helps people to see. Berenice Abbott
photography mean expression
Like every other means of expression, photography, if it is to be utterly honest and direct, should be related to the life of the times - the pulse of today. Berenice Abbott
photography song mean
Does not the very word 'creative' mean to build, to initiate, to give out, to act - rather than to be acted upon, to be subjective? Living photography is positive in its approach, it sings a song of life - not death. Berenice Abbott
photography light drawing
photography is not only drawing with light, though light is the indispensable agent of its being. It is modeling or sculpturing with light, to reproduce the plastic form of natural objects. It is painting with light ... Berenice Abbott
photography strong action
Pictures are wasted unless the motive power which impelled you to action is strong and stirring. Berenice Abbott
photography past photographer
Photography can only represent the present. Once photographed, the subject becomes part of the past. Berenice Abbott
photography exercise simple
Let us first say what photography is not. A photograph is not a painting, a poem, a symphony, a dance. It is not just a pretty picture, not an exercise in contortionist techniques and sheer print quality. It is or should be a significant document, a penetrating statement, which can be described in a very simple term-selectivity. Berenice Abbott
photography fall photographer
I didn't decide to be a photographer; I just happened to fall into it. Berenice Abbott
photography fashion real
The '60s in London obviously brought about the explosion of music, the Beatles especially, and then the Rolling Stones and other forms of music, and then fashion and photography and films - kitchen-sink dramas we called them at that time, which was our nouvelle vague in Britain, films that talk about real life. Charlotte Rampling
photography cutting political
I want my pictures to cut through political abstractions... and make a connection on a human level. James Nachtwey
photography war opposites
Photography can be perceived as the opposite of war. James Nachtwey
photography college years
I began after college, about 1972. I began to teach myself photography. I went to work for a local newspaper for four years as a kind of basic training. James Nachtwey
photography war destiny
I want to record history through the destiny of individuals who often belong to the least wealthy classes. I do not want to show war in general, nor history with a capital H, but rather the tragedy of a single man, of a family. James Nachtwey
photography war horror
Photojournalists know the horrors of war can only be exposed at close range. Kodak Film. James Nachtwey
photography jobs people
Many people in this world do jobs that are dangerous and where their life is at risk and they feel that there is some kind of value to their job I guess that's how I feel about what I do. There is a social function to documentary photography that is very important and it requires people to take risks. James Nachtwey
photography motivation inspiration
[Photography] puts a human face on issues which, from afar, can appear abstract or ideological or monumental in their global impact. James Nachtwey
photography powerful media
But everyone cannot be there, and that is why photographers go there - to show them, to reach out and grab them and make them stop what they are doing and pay attention to what is going on - to create pictures powerful enough to overcome the diluting effects of the mass media and shake people out of their indifference - to protest and by the strength of that protest to make others protest. James Nachtwey