Paul Cezanne
Paul Cezanne
Paul Cézannewas a French artist and Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavour to a new and radically different world of art in the 20th century. Cézanne's often repetitive, exploratory brushstrokes are highly characteristic and clearly recognizable. He used planes of colour and small brushstrokes that build up to form complex fields. The paintings convey Cézanne's intense study of his subjects...
NationalityFrench
ProfessionPainter
Date of Birth19 January 1839
CityAix-en-Provence, France
CountryFrance
Right now a moment is fleeting by! Capture its reality in paint! To do that we must put all else out of our minds. We must become that moment, make ourselves a sensitive recording plate. give the image of what we actually see, forgetting everything that has been seen before our time.
I'd like to combine melancholy and sunshine... There's a sadness in Provence which no one has expressed... I'd like to put reason in the grass and tears in the sky, like Poussin...
I wished to copy nature. I could not. But I was satisfied when I discovered the sun, for instance, could not be reproduced, but only represented by something else.
To achieve progress nature alone counts, and the eye is trained through contact with her. It becomes concentric by looking and working.
I am beginning to consider myself stronger than all those around me, and you know that the good opinion I have of myself has only been reached after mature consideration.
The transposition that a painter makes with an original vision gives to the representation of nature a new interest.
To be sure an artist wishes to raise his standard intellectually as much as possible, but the man must remain in obscurity. Pleasure must be found in the studying.
The Louvre is a good book to consult, but it must only be an intermediary. The real and immense study that must be taken up is the manifold picture of nature.
In order to make progress, there is only nature, and the eye is turned through contact with her.
Studying the model and realizing it is sometimes very slow in coming for the artist.
Treat nature by the cylinder, the sphere, the cone, everything in proper perspective so that each side of an object or a plane is directed towards a central point.
I advance all of my canvas at one time.
An optical impression is produced on our organs of sight which makes us classify as light, half-tone or quartertone, the surfaces represented by colour sensations. So that light does not exist for the painter.
I wish to die painting.