Quotes about photography
photography transformation reproduction
Photography is a transformation, not a reproduction. Ernst Haas
photography simple feels-just
My theory of composition? Simple: do not release the shutter until everything in the viewfinder feels just right. Ernst Haas
photography thinking cameras
You see what you think, you see what you feel, you are what you see If with the camera you can make others see it - that is photography. Ernst Haas
photography two lenses
Best wide-angle lens? Two steps backward. Look for the 'ah-ha'. Ernst Haas
photography zoom lenses
The best zoom lens is your legs. Ernst Haas
photography things-in-life two
There are two kinds of photographers: those who compose pictures and those who take them. The former work in studios. For the latter, the studio is the world... For them, the ordinary doesn't exist: every thing in life is a source of nourishment. Ernst Haas
photography struggle technology
Living in a time of the increasing struggle of the mechanization of man, photography has become another example of this paradoxical problem of how to humanize, how to overcome a machine on which we are thoroughly dependent... the camera... Ernst Haas
photography artist space
Through photography, both artist and scientist can find a common denominator in their search for the synthesis of modern vision in time, space and structure. Ernst Haas
photography color facts
Beware of color theories. Theories in color photography are dangerous. The plain fact that there are so many of them proves my point. Ernst Haas
photography easy possibility
There are almost too many possibilities. Photography is in direct proportion with our time: multiple, faster, instant. Because it is so easy, it will be more difficult. Ernst Haas
photography differences records
Leica, schmeica. The camera doesn't make a bit of difference. All of them can record what you are seeing. But you have to see. Ernst Haas
photography art bridges
Photography is a bridge between science and art. It brings to science what it needs most, the artistic sense, and to art the proof that nothing can be imagined which cannot be matched in the counterpoints of nature. Ernst Haas
photography pain paris
All I wanted was to connect my moods with those of Paris. Beauty pains and when it pained most, I shot. Ernst Haas
photography past reality
With photography a new language has been created. Now for the first time it is possible to express reality by reality. We can look at an impression as long as we wish, we can delve into it and, so to speak, renew past experiences at will. Ernst Haas
photography creativity light
There is only you and your camera. The limitations in your photography are in yourself, for what we see is what we are. Ernst Haas
photography creativity shooting
I am not interested in shooting new things - I am interested to see things new. Ernst Haas
photography art honesty
I'm not very eloquent about things like this, but I think that writing and photography go together. I don't mean that they are related arts, because they're not. But the person doing it, I think, learns from both things about accuracy of the eye, about observation, and about sympathy toward what is in front of you... It's about honesty, or truth telling, and a way to find it in yourself, how to need it and learn from it. Eudora Welty
photography running snapshots
A good snapshot stops a moment from running away. Eudora Welty
photography art jobs
At one point cinema and photography weren't treated as art. Now it's crazy to think they're not. The key question is "What is art today?" The most important artists of the last 20 years are Steve Jobs and Jonathan Ive, because the influence they have had is incredible and they've changed the world. That is art. Ferran Adria
photography real responsibility
The intensive use of photographs by mass media lays ever fresh responsibilities upon the photographer. We have to acknowledge the existence of a chasm between the economic needs of our consumer society and the requirements of those who bear witness to this epoch. This affects us all, particularly the younger generations of photographers. We must take greater care than ever not to allow ourselves to be separated from the real world and from humanity. Henri Cartier-Bresson
photography technology important
Pictures, regardless of how they are created and recreated, are intended to be looked at. This brings to the forefront not the technology of imaging, which of course is important, but rather what we might call the eyenology (seeing). Henri Cartier-Bresson
photography organization facts
Photography is simultaneously and instantaneously the recognition of a fact and the rigorous organization of visually perceived forms that express and signify that fact Henri Cartier-Bresson
photography too-late leica
During the work, you have to be sure that you haven't left any holes, that you've captured everything, because afterwards it will be too late. Henri Cartier-Bresson
photography running believe
The only thing which completely was an amazement to me and brought me to photography was the work of Munkacsi. When I saw the photograph of Munkacsi of the black kids running in a wave, I couldn't believe such a thing could be caught with the camera. I said, 'Damn it', I took my camera and went out into the street. Henri Cartier-Bresson
photography distance waiting
Photography is like fencing. You must keep your distance, wait, and then thrust. Henri Cartier-Bresson
photography dancer pockets
A photographer is part pick-pocket and part tightrope dancer. Henri Cartier-Bresson
photography leica great-photography
Photography is nothing-it's life that interests me. Henri Cartier-Bresson
photography memories shooting
We must avoid however, snapping away, shooting quickly and without thought, overloading ourselves with unnecessary images that clutter our memory and diminish the clarity of the whole. Henri Cartier-Bresson
photography leica photograph
While we're working, we must be conscious of what we're doing. Henri Cartier-Bresson
photography memes
Photographier: c'est mettre sur la meme ligne de mire la tete, l'oeil et le coeur. Henri Cartier-Bresson
photography cutting reality
Reality offers us such wealth that we must cut some of it out on the spot, simplify. The question is, do we always cut out what we should? Henri Cartier-Bresson
photography real essence
This recognition, in real life, of a rhythm of surfaces, lines, and values is for me the essence of photography; composition should be a constant of preoccupation, being a simultaneous coalition - an organic coordination of visual elements. Henri Cartier-Bresson
photography vanishing photographer
Photographers deal in things which are continuously vanishing... Henri Cartier-Bresson