Ken Burns
Ken Burns
Kenneth Lauren "Ken" Burns is an American filmmaker, known for his style of using archival footage and photographs in documentary films. His most widely known documentaries are The Civil War, Baseball, Jazz, The War, The National Parks: America's Best Idea, Prohibition, The Central Park Five, and The Roosevelts. Also widely known is his role as executive producer of The West, and Cancer: The Emperor of All Maladies...
NationalityAmerican
ProfessionDirector
Date of Birth29 July 1953
CityBrooklyn, NY
CountryUnited States of America
Oh, I'm just sitting here dying about it,
I think the problem with a lot of the fusion music is that it's extremely predictable, it's a rock rhythm and the solos all play the same stuff and they play it over and over again and there's a certain musical virtuosity involved in it.
We want them to stop the current arrangement, share it with the public and hold hearings.
This is what I don't understand, why we're not taught this. I mean, you would be hard pressed to say that there was no machine more important than the car in the last 100 years. Nothing has been more influential in how we live, how we work, what's worked itself into our songs, into our mythology. The idea of a road trip is very much in everyone's life, and this is the first road trip.
Filmmaking is essentially about entertainment, but it's amazing to realize that it has this other muscle that could actually help. Do you know what I mean? People permit entertainment to wash over them, but every once and a while, entertainment - and this is entertaining - also galvanizes something else and that would be a really good thing to have happen in this case.
Civics is in fact politics, and politics is how things work not only in the political realm but in every other realm. It may be this simple mechanical glitch that unites everything. This is my philosophy.
The way I work, the interview never becomes larger than the person being interviewed.
I think my expectations for myself are much more severe and much more direct. You can't work on a film for six years without being your own toughest critic. So you can't really be distracted by the expectations based on your previous performance.
It follows the seasons, beginning each year with the fond expectancy of springtime and ending with the hard facts of autumn.
To say that an artist sells out means that an artist is making a conscious choice to compromise his music, to to weaken his music for the sake of commercial gain.
In a sense I've made the same film over and over again. In all of them I've asked, 'Who are we as Americans?
In most films music is brought in at the end, after the picture is more or less locked, to amplify the emotions the filmmaker wants you to feel.
The stories from 1975 on are not finished and there is no resolve. I could spend 50 hours on the last 25 years of jazz and still not do it justice.
I record all of my music with authentic instruments in a studio before we start editing, doing many, many versions. The music shapes the film as we edit so it has an organic relationship to the content.