John Dos Passos
John Dos Passos
John Roderigo Dos Passoswas an American novelist and artist active in the first half of the twentieth century. Born in Chicago, Illinois, he graduated from Harvard College in 1916. He was well-traveled, visiting Europe and the Middle East, where he learned about literature, art, and architecture. During World War I he was a member of the American Volunteer Motor Ambulance Corps in Paris and in Italy, later joining the U.S. Army Medical Corps...
NationalityAmerican
ProfessionNovelist
Date of Birth14 January 1896
CountryUnited States of America
There is a part of me in every character, naturally. That's why novelists rarely write good autobiographies. You start one and it becomes another novel.
The only excuse for a novelist, aside from the entertainment and vicarious living his books give the people who read them, is as a sort of second-class historian of the age he lives in. The "reality" he missed by writing about imaginary people, he gains by being able to build a reality more nearly out of his own factual experience than a plain historian or biographer can.
I do a lot of revising. Certain chapters six or seven times. Occasionally you can hit it right the first time. More often, you don't.
Anything that happens to you has some bearing upon what you write.
There are too many "creative writing" courses and seminars, in which young wirters are constantly being taught to rewrite the previous generation. They should be experimenting on their own. Every writer faces different problems which he must solve for himself.
In a moment when criticism shows a singular dearth of direction every man has to be a law unto himself in matters of theatre, writing, and painting. While the American Mercury and the new Ford continue to spread a thin varnish of Ritz over the whole United States there is a certain virtue in being unfashionable.
Three words that still have meaning, that I think we can apply to all professional writing, are discovery, originality, invention.The professional writer discovers some aspect of the world and invents out of the speech of his time some particularly apt and original way of putting it down on paper.
The mind of a generation is its speech. A writer makes aspects of that speech enduring by putting them in print. He whittles at the words and phrases of today and makes of them forms to set the mind of tomorrow's generation. That's history. A writer who writes straight is the architect of history.
If there is a special Hell for writers it would be in the forced contemplation of their own works.
Accidents will happen in the best regulated families.
We work to eat to get the strength to work to eat to get the strength to work to eat to get the strength to work to eat to get the strength to work.
What is the use being a big man if you are wrong?
We work to eat to get the strength to work to eat to get the strength to work.
Experiments in the visual arts (the invention of new ways of seeing things), are made because, due to the way the apparatus that makes up the mind is made, old processes and patterns have continually to be broken up in order to make it possible to perceive the new aspects and arrangements of evolving consciousness. The great enemy of intelligence is complacency.