John Dos Passos
John Dos Passos
John Roderigo Dos Passoswas an American novelist and artist active in the first half of the twentieth century. Born in Chicago, Illinois, he graduated from Harvard College in 1916. He was well-traveled, visiting Europe and the Middle East, where he learned about literature, art, and architecture. During World War I he was a member of the American Volunteer Motor Ambulance Corps in Paris and in Italy, later joining the U.S. Army Medical Corps...
NationalityAmerican
ProfessionNovelist
Date of Birth14 January 1896
CountryUnited States of America
There is a part of me in every character, naturally. That's why novelists rarely write good autobiographies. You start one and it becomes another novel.
Breaking with old friends is one of the most painful of the changes in all that piling up of a multitude of small distasteful changes that constitutes growing older.
The only excuse for a novelist, aside from the entertainment and vicarious living his books give the people who read them, is as a sort of second-class historian of the age he lives in. The "reality" he missed by writing about imaginary people, he gains by being able to build a reality more nearly out of his own factual experience than a plain historian or biographer can.
The business of a novelist is, in my opinion, to create characters first and foremost, and then to set them in the snarl of the human currents of his time, so that there results an accurate permanent record of a phase of history.
One of the most extraordinary things about industrial society of the present day is its idiot lack of memory. Tabloids and movies take the place of mental processes and revolts, crimes, despairs pass off in a dribble of vague words and rubber stamp phrases without leaving a scratch on the mind of the driven instalment-paying, subway-packing mass.
Walt Whitman's a hell of a lot more revolutionary than any Russian poet I've ever heard of.
In the last twenty-five years a change has come over the visual habits of Americans . . . From being a wordminded people we are becoming an eyeminded people.
Great works of the imagination are not produced quickly nor do they take quick effect on the popular mind.
I dont think there is anything on earth more wonderful than those wistful incomplete friendships one makes now and then in an hour's talk. You never see the people again, but the lingering sense of their presence in the world is like the glow of an unseen city at night--makes you feel the teemingness of it all.
A curious thing about atrocity stories is that they mirror, instead of the events they purport to describe, the extent of the hatred of the people that tell them. Still, you can't listen unmoved to tales of misery and murder.
A novel is a commodity that fulfills a certain need; people need to buy daydreams like they need to buy ice cream or aspirin or gin. They even need to buy a pinch of intellectual catnip now and then to liven up their thoughts...
Democracy evolves where freedom is able to determine its own policy.
I do a lot of revising. Certain chapters six or seven times. Occasionally you can hit it right the first time. More often, you don't.
Why, lies are like a sticky juice overspreading the world, a living, growing flypaper to catch and gum the wings of every human soul. . . And the little helpless buzzings of honest, liberal, kindly people, aren't they like the thin little noise flies make when they're caught?