John Dos Passos

John Dos Passos
John Roderigo Dos Passoswas an American novelist and artist active in the first half of the twentieth century. Born in Chicago, Illinois, he graduated from Harvard College in 1916. He was well-traveled, visiting Europe and the Middle East, where he learned about literature, art, and architecture. During World War I he was a member of the American Volunteer Motor Ambulance Corps in Paris and in Italy, later joining the U.S. Army Medical Corps...
NationalityAmerican
ProfessionNovelist
Date of Birth14 January 1896
CountryUnited States of America
In certain savage tribes in New Guinea, they put the old people up in the trees and shake them once a year in the spring; if they don't fall out they let them live another year.
Mealtime's the only time I get to devote to the things of the spirit.
The Gospel of the army is cunning, as of all other human activities. The wisdom of the snake under the meekness of the sheep is what wins out. The first Commandment is--never let them get anything on you-- The second: Graft--get privileges others haven't got--worm yourself into confidence The Third--seem neat and prosperous--as if you had money in the bank
It's easy to forget how central the French people are in everything we mean when we say Europe.
It has been the struggle between privileged men who have managed to get hold of the levers of power and the people in general withtheir vague and changing aspirations for equality, for justice, for some kind of gentler brotherhood and peace, which has kept that balance of forces we call our system of government in equilibrium.
The fascinating thing to a dispassionate observer about the structure of life in the Soviet Union is that in their efforts to produce an unknown that we may let its ideologists call Socialism the Communist dictators have produced a brutal approximation of monopoly Capitalism, a system that has all the disadvantages of our own, with none of the palliatives which come to us from surviving competition and from the essential division of economic and political power which has so far made it possible for the humane traditions of the Western world to continue.
A set of ideas, a point of view, a frame of reference is in space only an intersection, the state of affairs at some given momentin the consciousness of one man or many men, but in time it has evolving form, virtually organic extension. In time ideas can be thought of as sprouting, growing, maturing, bringing forth seed and dying like plants.
In a moment when criticism shows a singular dearth of direction every man has to be a law unto himself in matters of theatre, writing, and painting. While the American Mercury and the new Ford continue to spread a thin varnish of Ritz over the whole United States there is a certain virtue in being unfashionable.
Man seems to be an animal whose capacity for lies is only equalled by his credulity; it does no good to let battalions of cats outof bags, to produce whole harems of naked facts, people eat the same three meals daily deception, and are always ready to turn with fury upon the purveyors of bagless cats and facts undraped. Probably their instinct is wise. Who knows?
Three words that still have meaning, that I think we can apply to all professional writing, are discovery, originality, invention.The professional writer discovers some aspect of the world and invents out of the speech of his time some particularly apt and original way of putting it down on paper.
[Hemingway] always used to bawl me out for including so much topical stuff. He always claimed that was a great mistake, that in fifty years nobody would understand. He may have been right; it's getting to be true.
To fight oppression, and to work as best we can for a sane organization of society, we do not have to abandon the state of mind offreedom. If we do that we are letting the same thuggery in by the back door that we are fighting off in front of the house.
Women hock their jewels and their husbands' insurance policies to acquire an unaccustomed shade in hair or crêpe de chine. Why then is it that when anyone commits anything novel in the arts he should be always greeted by this same peevish howl of pain and surprise? One is led to suspect that the interest people show in these much talked of commodities, painting, music, and writing, cannot be very deep or very genuine when they so wince under an unexpected impact.
Letters are largely written to get things out of your system.