John Dos Passos
John Dos Passos
John Roderigo Dos Passoswas an American novelist and artist active in the first half of the twentieth century. Born in Chicago, Illinois, he graduated from Harvard College in 1916. He was well-traveled, visiting Europe and the Middle East, where he learned about literature, art, and architecture. During World War I he was a member of the American Volunteer Motor Ambulance Corps in Paris and in Italy, later joining the U.S. Army Medical Corps...
NationalityAmerican
ProfessionNovelist
Date of Birth14 January 1896
CountryUnited States of America
The Enormous Room seems to me to be the book that has nearest approached the mood of reckless adventure in which men will reach the white heat of imagination needed to fuse the soggy disjointed complexity of the industrial life about us into seething fluid of creation. There can be no more playing safe.
Time has an undertaking establishment on every block and drives his coffin nails faster than the steam riveters rivet or the stenographers type or the tickers tick out fours and eights and dollar signs and ciphers.
Remember that it's never a crime in the face of humanity and enlightenment to distribute the works of the great humanists among the merchants and moneychangers of this godforsaken country... You better slip me the dough.
What's the use, there never was a woman living who could understand political ideas.
It's not the possibility of Stalinism in the U.S. that's worrying me, it's the fact that the Stalinist C.P. seems doomed to fail and to bring down with it all the humanitarian tendencies I personally believe in--all the while acting as a mould on which its obverse the fascist mentality is made--and this recent massacre is certainly a sign of Stalinism's weakness not of its strength. None of that has anything to do with Marx's work--but it certainly does influence one's attitude towards a given political party.
The mind of a generation is its speech. A writer makes aspects of that speech enduring by putting them in print. He whittles at the words and phrases of today and makes of them forms to set the mind of tomorrow's generation. That's history. A writer who writes straight is the architect of history.
I think the satirist is always basically optimistic. The satirist's complaint about society is always that it doesn't measure up to a fairly high ideal he has. I think that even the bitterest satirist, even a man like Swift, was probably rather an optimist at heart.
Eh Bien you like this sacred pig of a country?" asked Marco. "Why not? I like it anywhere. It's all the same, in France you are paid badly and live well; here you are paid well and live badly.
The world's becoming a museum of socialist failures.
It's almost worth having been in the army for the joy your freedom gives you
Display advertising and the movies, though they may dull the wits, certainly stimulate the eyes.
Love is cheap. You can buy it anywhere. Lives are cheap. It's money that's dear. You have to work days and sit up nights thinking how to make money.
If I were sufficiently romantic I suppose I'd have killed myself long ago just to make people talk about me. I haven't even got the conviction to make a successful drunkard.
Why won't they let a year die without bringing in a new one on the instant, can't they use birth control on time? I want an interregnum. The stupid years patter on with unrelenting feet, never stopping - rising to little monotonous peaks in our imaginations at festivals like New Year's and Easter and Christmas - But, goodness, why need they do it?