Simon Schama

Simon Schama
Simon Michael Schama, CBEis an English historian specializing in art history, Dutch history, and French history. He is a University Professor of History and Art History at Columbia University, New York. He first came to popular public attention with his history of the French Revolution titled Citizens, published in 1989. In the United Kingdom, he is perhaps best known for writing and hosting the 15-part BBC television documentary series A History of Britain broadcast between 2000 and 2002...
NationalityBritish
ProfessionHistorian
Date of Birth13 February 1945
I am passionately invested in the survival of Israel and everything Israel represents. But I am extremely critical of much of its policy. I believe that the occupation must end. And if it doesn't, it will end Israel. I'm not in favor of settlements.
I am not very relaxed about bad reviews. But I am resilient. I grieve, curse and swear, put on loud music, and get on with the next job.
The Elephantine papyri - written as some of the books of the Bible are being written - is true social and legal documentation, and to historians overwhelmingly powerful and moving, even when ostensibly about trivial things.
The history of the Jews has been written overwhelmingly by scholars of texts - understandably given the formative nature of the Bible and the Talmud. Seeing Jewish history through artifacts, architecture and images is still a young but spectacularly flourishing discipline that's changing the whole story.
The Jewish story is the story of wandering. It is the story of extraordinary heterogeneous complication.
In America, much foreign policy seems contrived to be an exercise in political theory with no attention to history whatsoever. Yet there's a great reverence for history - though it's history as thumb-sucking, security blanket-nibbling self-congratulation.
The older I get, the more I want to do. It beats death, decay or golf in unfortunate trousers. Peace and quiet depress me.
I actually think that history has fed off the restlessness of cyber space, of kind of the frantic, segmented nature of the way we lead our lives. People want to be connected.
We seem wired to grieve with greenery. Allowing the dead to dissolve into the earth, to become part of the cycle of the seasons, has, for millennia, held the promise of cheating mortality.
In the end, history, especially British history with its succession of thrilling illuminations, should be, as all her most accomplished narrators have promised, not just instruction but pleasure.
Historians are left forever chasing shadows, painfully aware of their inability ever to reconstruct a dead world in its completeness however thorough or revealing their documentation. We are doomed to be forever hailing someone who has just gone around the corner and out of earshot.
Almost everywhere else in Europe, the more military the state, the stronger the king - except in Britain. Here it was parliament, not the monarchy, who signed the cheques. The longer the war went on, the stronger parliament became, as the purse on which it sat grew bigger and bigger.
From the days of the Founding Fathers, right to this (2008) election, how and where America fights to defend its freedom, has been the ultimate question in its politics. The one that triggers rage and sorrow; the one that asks is the price of blood too dear? Or, if it is to stay true to its convictions, does America have no coice but to put its lives on the line?
Charles was constitutionally incapable of being a constitutional monarch.