Samuel Taylor Coleridge
Samuel Taylor Coleridge
Samuel Taylor Coleridgewas an English poet, literary critic and philosopher who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He wrote the poems The Rime of the Ancient Mariner and Kubla Khan, as well as the major prose work Biographia Literaria. His critical work, especially on Shakespeare, was highly influential, and he helped introduce German idealist philosophy to English-speaking culture. Coleridge coined many familiar words and phrases,...
NationalityEnglish
ProfessionPoet
Date of Birth21 October 1772
Law grows, and though the principles of law remain unchanged, yet (and it is one of the advantages of the common law) their application is to be changed with the changing circumstances of the times. Some persons may call this retrogression, I call it progression of human opinion.
I am sure from my experience of juries that, in a criminal case especially, they will obey the law as declared by the Judge; they will take the law from the Judge, whether they like it or do not like it, and apply it honestly to the facts before them.
We must follow the old authorities and precedents in criminal matters.
Life went a-maying With Nature, Hope, and Poesy, When I was young!
Shakespeare knew the human mind, and its most minute and intimate workings, and he never introduces a word, or a thought, in vain or out of place; if we do not understand him, it is our own fault.
The myriad-minded man, our, and all men's, Shakespeare, has in this piece presented us with a legitimate farce in exactest consonance with the philosophical principles and character of farce, as distinguished from comedy and from entertainments. A proper farce is mainly distinguished from comedy by the licence allowed, and even required, in the fable, in order to produce strange and laughable situations. The story need not be probable, it is enough that it is possible.
The principle of the Gothic architecture is infinity made imaginable. It is no doubt a sublimer effort of genius than the Greek style; but then it depends much more on execution for its effect.
How many of our virtues originate in the fear of Death & that while we flatter ourselves that we are melting in Christian Sensibility over the sorrows of our human Brethren and Sisteren, we are in fact, tho' perhaps unconsciously, moved at the prospect of our own End for who sincerely pities Sea-sickness, Toothache, or a fit of the Gout in a lusty Good-liver of 50?
Poetry gives most pleasure when only generally and not perfectly understood.
Farce is nearer tragedy in its essence than comedy is.
The imagination ... that reconciling and mediatory power, which incorporating the reason in images of the sense and organizing (as it were) the flux of the senses by the permanence and self-circling energies of the reason, gives birth to a system of symbols, harmonious in themselves, and consubstantial with the truths of which they are the conductors.
During the act of knowledge itself, the objective and subjective are so instantly united, that we cannot determine to which of the two the priority belongs.
Plagiarists are always suspicious of being stolen from, as pickpockets are observed commonly to walk with their hands in their breeches' pockets.
And what if all of animated nature Be but organic harps diversely framed, That tremble into thought, as o'er them sweeps, Plastic and vast, one intellectual breeze, At once the soul of each, and God of all?