Samuel Taylor Coleridge

Samuel Taylor Coleridge
Samuel Taylor Coleridgewas an English poet, literary critic and philosopher who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He wrote the poems The Rime of the Ancient Mariner and Kubla Khan, as well as the major prose work Biographia Literaria. His critical work, especially on Shakespeare, was highly influential, and he helped introduce German idealist philosophy to English-speaking culture. Coleridge coined many familiar words and phrases,...
NationalityEnglish
ProfessionPoet
Date of Birth21 October 1772
The curiosity of an honorable mind willingly rests there, where the love of truth does not urge it farther onward, and the love of its neighbor bids it stop; in other words, it willingly stops at the point where the interests of truth do not beckon it onward, and charity cries, Halt!
He saw a lawyer killing a viper on a dunghill hard by his own stable; And the Devil smiled, for it put him in mind of Cain and his brother Abel.
If you would stand well with a great mind, leave him with a favorable impression of yourself; if with a little mind, leave him with a favorable impression of himself.
Every reform, however necessary, will by weak minds be carried to an excess, that itself will need reforming.
I have heard of reasons manifold Why Love must needs be blind, But this the best of all I hold,- His eyes are in his mind.
Prayer is the very highest energy of which the mind is capable.
Shakespeare knew the human mind, and its most minute and intimate workings, and he never introduces a word, or a thought, in vain or out of place; if we do not understand him, it is our own fault.
Of no agenor of any religion, or party or profession. The body and substance of his works came out of the unfathomable depths of his own oceanic mind.
Experience informs us that the first defence of weak minds is to recriminate.
Milton had a highly imaginative, Cowley a very fanciful mind.
But metre itself implies a passion , i.e. a state of excitement, both in the Poet's mind, & is expected in that of the Reader.
Motives by excess reverse their very nature and instead of exciting, stun and stupefy the mind.
The best part of human language, properly so called, is derived from reflection on the acts of the mind itself.
It [is] very unfair to influence a child's mind by inculcating any opinions before it [has] come to years of discretion to choose for itself.