Paul Auster
Paul Auster
Paul Benjamin Austeris an American author and director whose writing blends absurdism, existentialism, crime fiction, and the search for identity and personal meaning in works such as The New York Trilogy, Moon Palace, The Music of Chance, The Book of Illusions, and The Brooklyn Follies. His books have been translated into more than forty languages...
NationalityAmerican
ProfessionNovelist
Date of Birth3 February 1947
CityNewark, NJ
CountryUnited States of America
I find it impossible to start a project without the title in mind. I can sometimes spend years thinking of the title to go with the thing that's forming in my head. A title defines the project somehow and if you keep finding the ramifications of the title in the work it becomes better, I'm convinced of this.
[Charles] Reznikoff was in between faiths, in between worlds... a double, hyphenated American. I think it probably goes deeper than that.
I'm not a boy-writer, I've never been. I wanted to be a boy-writer when I was young, and I think that held me back. I wanted to be very clever, and funny, but I'm not very clever and not terribly funny. I've finally accepted my limits, and I do what I can do.
I think all writers are a bit crazy; Damaged souls, incapable of doing anything else.
I don't think about the stories so much, as the characters themselves. They live on, and they are almost as real as I am.
When I think of Tokyo Story, yeah, it is like a novella. That doesn't mean it's not great. Some of my favorite Tolstoy works are his novellas.
I think the act of talking about something - with a friend, or someone in your family, or someone you care about, and you're discussing something that you both admire - can often sharpen your thoughts about what you've read or seen and help you think more clearly about it.
Autobiographical writings, essays, interviews, various other things... All the non-fiction prose I wanted to keep, that was the idea behind this collected volume, which came out about few years ago. I didn't think of Winter Journal, for example, as an autobiography, or a memoir. What it is is a literary work, composed of autobiographical fragments, but trying to attain, I hope, the effect of music.
As says who is deeply involved with neuroscience, emotion consolidates memory, and I think that's true.
I don't even own a computer. I write by hand then I type it up on an old manual typewriter. But I cross out a lot - I'm not writing in stone tablets, it's just ink on paper. I don't feel comfortable without a pen or a pencil in my hand. I can't think with my fingers on the keyboard. Words are generated for me by gripping the pen, and pressing the point on the paper.
There are certain phrases in books of mine, and I don't know where they came from, or how I was capable of thinking up these formulations. It's only in the heat of composition that these things occur to you.
I think human beings wouldn't be human without narrative fiction.
I think people are trying out ideas with the new technology and it's too early to say where it's going exactly. But again, whether it's digital or paper, it doesn't matter. It's words that somebody is reading and getting an experience out of that reading. That's all that really matters.
The childhood scenes [ in The Tree of Life] are tremendous. My favorite moment is when the mother levitate - for three seconds. Of course, this is how a child thinks of his mother.