Paul Auster
Paul Auster
Paul Benjamin Austeris an American author and director whose writing blends absurdism, existentialism, crime fiction, and the search for identity and personal meaning in works such as The New York Trilogy, Moon Palace, The Music of Chance, The Book of Illusions, and The Brooklyn Follies. His books have been translated into more than forty languages...
NationalityAmerican
ProfessionNovelist
Date of Birth3 February 1947
CityNewark, NJ
CountryUnited States of America
I really, truly believe that writing comes out of the body; of course, the mind is working as well, but it's a double thing and that doubleness is united. I mean, you can't separate persona from psyche; you just can't do it.
I still believe we wasted a golden opportunity to make significant changes in our country. I think people in America would have been ready and willing to do it, but the [George W.] Bush administration took a kind of simplistic, almost moronic approach to it, all because people were so afraid.
I believe that every artist, in one way or another, is a wounded person. It's not natural to make art.
All my novels are very much directly related to my inner life, even though I'm inventing characters, even though it's fiction, even though it's make-believe, it nevertheless is coming out of the deepest recesses of myself.
As long as there's one person to believe it, there's no story that can't be true.
You have to protect it too, you can't let just any stupid person take it and do something demoralizing with it. At the same time, I don't believe in being so rigid about controlling what happens either.
How is it possible for someone who believes that the world was created in six days to have a rational conversation with me, who doesnt believe that, about other possibilities?
To care about words, to have a stake in what is written, to believe in the power of books - this overwhelms the rest, and beside it one's life becomes very small.
We all want to believe in impossible things, I suppose, to persuade ourselves that miracles can happen.
I believe that the whole idea of the consumer society is tottering. We've kept ourselves going by producing more and more goods, most of which people don't need. I'm anti-consumerism; I own four pairs of black Levis and that's it.
At that point, Noriko finally breaks down and begins to cry sobbing into her hands as the floodgates open - this young woman who has suffered in silence for so long, this good woman who refuse to believe she's good, for only the good doubt their own goodness, which is what makes them good in the first place. The bad know they are good, but the good know nothing. They spend their lives forgiving others, but they can't forgive themselves.
Blue in the Face' is a romp. It's kind of a modern-day vaudeville.
In my studio, it is unkempt and unattractive. Once I'm in my work, I don't notice where I am.
You see the film, you might be entertained, and if it's not a great film, it loses its power very quickly. I think even simply acceptable books stay with us a lot longer.