Paul Auster

Paul Auster
Paul Benjamin Austeris an American author and director whose writing blends absurdism, existentialism, crime fiction, and the search for identity and personal meaning in works such as The New York Trilogy, Moon Palace, The Music of Chance, The Book of Illusions, and The Brooklyn Follies. His books have been translated into more than forty languages...
NationalityAmerican
ProfessionNovelist
Date of Birth3 February 1947
CityNewark, NJ
CountryUnited States of America
I would say that Edgar Allan Poe, [Georges] Perec, Thomas Pynchon, and [Jorge Luis] Borges are all boy-writers. These are writers who take... a kind of demonic joy in writing.
There are often references to childhood, but they're rarely the focus of the [my] novels.
[Lev] Tolstoy is not a boy-writer. He's a grown-up. And [Fedor] Doestoeivski is not a boy-writer.
I'm not a boy-writer, I've never been. I wanted to be a boy-writer when I was young, and I think that held me back. I wanted to be very clever, and funny, but I'm not very clever and not terribly funny. I've finally accepted my limits, and I do what I can do.
I use things, I steal things from my life when I want to, when I need to, or when it seems appropriate. But most of the stuff in my novels is entirely invented, ninety-five percent. And even when I do borrow something, it becomes fictionalized.
I still believe we wasted a golden opportunity to make significant changes in our country. I think people in America would have been ready and willing to do it, but the [George W.] Bush administration took a kind of simplistic, almost moronic approach to it, all because people were so afraid.
You can look at my autobiographical pieces as source books... But, you see, my fiction doesn't revolve around autobiographical questions.
Life is deeply tragic and also very comic at the same time. It's everything at once.
I think all writers are a bit crazy; Damaged souls, incapable of doing anything else.
I've been very lucky in this second marriage. It's just luck. It's absolute luck. And I can only marvel at it. So many other things could have happened that didn't, so overall I feel blessed.
I've written books that have taken me fifteen years, from first sentence to last, and some that only take three or four months.
It's always a mystery to me, I have to confess. I've never been able to witness the birth of an idea. It seems as if one second, there's nothing particularly going on, and the next second, something is there.
Fiction creating reality.
I can remember saying again and again and again, "A terrible thing has happened, but this should be a kind of wake-up call for our country, and we have a great opportunity now to reinvent ourselves. To rethink our position about oil and energy, to rethink our relationship with other cultures and other countries, and why other people want to attack us."