Paul Auster
Paul Auster
Paul Benjamin Austeris an American author and director whose writing blends absurdism, existentialism, crime fiction, and the search for identity and personal meaning in works such as The New York Trilogy, Moon Palace, The Music of Chance, The Book of Illusions, and The Brooklyn Follies. His books have been translated into more than forty languages...
NationalityAmerican
ProfessionNovelist
Date of Birth3 February 1947
CityNewark, NJ
CountryUnited States of America
Writing has always had that tactile quality for me. It's a physical experience.
What keeps me up at night? Anxiety. Anxiety, the inability to go to sleep, it's quite literally that.
Our lifelong certainties about the world can be demolished in a single second.
We all die, we all get sick, we all feel hunger and lust and pain, and therefore human life is consistent from one generation to the other. We all - most of us, anyway - want connections with other people and spend our lives looking for them.
The human body is strange and flawed and unpredictable. The human body has many secrets, and it does not divulge them to anyone, except those who have learned to wait.
I think it's a very good thing to leave your country and look at it from afar.
I don't judge these things by numbers. How many people read 'Paradise Lost' when it was published? Two hundred? Three? As long as there's one reader, the book is doing what a book does. Books are irreplaceable, because they're the only place in the universe where two strangers can meet on absolutely intimate terms. We need to tell stories as human beings. People are as hungry for that as they have ever been.
I find it impossible to start a project without the title in mind. I can sometimes spend years thinking of the title to go with the thing that's forming in my head. A title defines the project somehow and if you keep finding the ramifications of the title in the work it becomes better, I'm convinced of this.
I took a job with the U.S. Census Bureau. In The Locked Room, the third volume of the New York Trilogy, there's a sequence where the narrator talks about working for the census, and I took this straight from life. As in the book, I wound up inventing people. Kind of curious.
The book is your book. You have been responsible for every single thing on every page, every comma, every syllable is your work.
I'm living in the present, thinking about the past, hoping for the future.
With a computer, you make your changes on the screen and then you print out a clean copy. With a typewriter, you can't get a clean manuscript unless you start again from scratch. It's an incredibly tedious process.
I really, truly believe that writing comes out of the body; of course, the mind is working as well, but it's a double thing and that doubleness is united. I mean, you can't separate persona from psyche; you just can't do it.
I've always written by hand. Mostly with a fountain pen, but sometimes with a pencil - especially for corrections.