Paul Auster
Paul Auster
Paul Benjamin Austeris an American author and director whose writing blends absurdism, existentialism, crime fiction, and the search for identity and personal meaning in works such as The New York Trilogy, Moon Palace, The Music of Chance, The Book of Illusions, and The Brooklyn Follies. His books have been translated into more than forty languages...
NationalityAmerican
ProfessionNovelist
Date of Birth3 February 1947
CityNewark, NJ
CountryUnited States of America
mean solitude live-your-life
Don't be a writer, it's a terrible way to live your life, there's nothing to be gained from it but poverty and obscurity and solitude. So if you have a taste for all those things, which means that you really are burning to do it, then go ahead and do it.
men solitude doe
Impossible, I realize, to enter another’s solitude. If it is true that we can ever come to know another human being, even to a small degree, it is only to the extent that he is willing to make himself known. A man will say: I am cold. Or else he will say nothing, and we will see him shivering. Either way, we will know that he is cold. But what of the man who says nothing and does not shiver? Where all is intractable, here all is hermetic and evasive, one can do no more than observe. But whether one can make sense of what he observes is another matter entirely
men decision solitude
There is nothing more terrible, I learned, than having to face the objects of a dead man. Things are inert: that have meaning only in function of the life that makes use of them. When that life ends, the things change, even though they remain the same. […] they say something to us, standing there not as objects but as remnants of thought, of consciousness, emblems of the solitude in which a man comes to make decisions about himself.
blue
Blue in the Face' is a romp. It's kind of a modern-day vaudeville.
work
In my studio, it is unkempt and unattractive. Once I'm in my work, I don't notice where I am.
acceptable great loses might power simply stay
You see the film, you might be entertained, and if it's not a great film, it loses its power very quickly. I think even simply acceptable books stay with us a lot longer.
knows narrator people pick pretend
When you pick up a book, everyone knows it's imaginary. You don't have to pretend it's not a book. We don't have to pretend that people don't write books. That omniscient third-person narration isn't the only way to do it. Once you're writing in the first person, then the narrator is a writer.
coming next seems witness
I've never been able to witness the birth of an idea. It seems as if one second, there's nothing particularly going on, and the next second, something is there. It's coming up out of my unconscious, up from places that I don't even know where they are.
body book history justify mother talking woke
I woke up one day and thought: 'I want to write a book about the history of my body.' I could justify talking about my mother because it was in her body that my body began.
american-author greatest hemingway lots mean movies novels turned worry writers
I don't know if she should worry too much, I mean some of our greatest writers have had movies made of their books, lots of Hemingway novels were turned into movies, it doesn't hurt the book.
beings books comic human hungry kinds movies people radio whatever whether
Human beings need stories, and we're looking for them in all kinds of places; whether it's television, whether it's comic books or movies, radio plays, whatever form, people are hungry for stories.
fall good large life therefore tragic universe whether within
Baseball is a universe as large as life itself, and therefore all things in life, whether good or bad, whether tragic or comic, fall within its domain.
family
When I'm writing, I don't feel neurotic. So it's better for the family if I'm working.
deeply eludes man technology
I'm not a man deeply interested in technology. It eludes me.