Paul Auster
Paul Auster
Paul Benjamin Austeris an American author and director whose writing blends absurdism, existentialism, crime fiction, and the search for identity and personal meaning in works such as The New York Trilogy, Moon Palace, The Music of Chance, The Book of Illusions, and The Brooklyn Follies. His books have been translated into more than forty languages...
NationalityAmerican
ProfessionNovelist
Date of Birth3 February 1947
CityNewark, NJ
CountryUnited States of America
I don't think about the stories so much, as the characters themselves. They live on, and they are almost as real as I am.
My characters, I find them as I'm writing. It's quite incredible how fully realized they are in my mind, how many details I know about each of them.
When I start, I have a feeling for the characters, and maybe the shape of the story. Sometimes I might even have the last sentence in mind. But, no book I've ever written has ever ended the way I thought it would. Characters disappear, others come forward. Once you start writing, everything changes.
All my novels are very much directly related to my inner life, even though I'm inventing characters, even though it's fiction, even though it's make-believe, it nevertheless is coming out of the deepest recesses of myself.
For some reason, all my characters come to me with their names attached to them. I never have to search for the names.
History is present in all my novels. And whether I am directly talking about the sociological moment or just immersing my character in the environment, I am very aware of it.
I've dealt with numbers all my life, of course, and after a while you begin to feel that each number has a personality of its own. A twelve is very different from a thirteen, for example. Twelve is upright, conscientious, intelligent, whereas thirteen is a loner, a shady character who won't think twice about breaking the law to get what he wants. Eleven is tough, an outdoorsman who likes tramping through woods and scaling mountains; ten is rather simpleminded, a bland figure who always does what he's told; nine is deep and mystical, a Buddha of contemplation....
I project myself so deeply into the characters in novels that I'm not thinking about my own life.
I was very moved to see that the name of the boat was Hamlet - an imaginary character becomes so important to people, we think about them so much that we name a ship after them. The imaginary lives on in the real.
The funny thing is that I feel close to all my characters. Deep, deep inside them all. I can't describe how deeply I love them all.
I'm living in the present, thinking about the past, hoping for the future.
With a computer, you make your changes on the screen and then you print out a clean copy. With a typewriter, you can't get a clean manuscript unless you start again from scratch. It's an incredibly tedious process.
I really, truly believe that writing comes out of the body; of course, the mind is working as well, but it's a double thing and that doubleness is united. I mean, you can't separate persona from psyche; you just can't do it.
I've always written by hand. Mostly with a fountain pen, but sometimes with a pencil - especially for corrections.