John Ridley
John Ridley
John Ridley IV is an American screenwriter, film director, novelist, and showrunner, known for 12 Years a Slave, for which he won an Academy Award for Best Adapted Screenplay...
NationalityAmerican
ProfessionDirector
CountryUnited States of America
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Why is it that the very people who have fought so hard and so long for the simple entitlement to love whom they choose to love are the very ones denied that right by those who routinely take their vows for granted?
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Slavery was not a bad day on the job. It was not your boss yelling at you. It was not hard work for little pay. This was a full system of human subjugation.
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Yes, it's hard to stay in shape, but it's also hard to raise kids. That doesn't mean you get to drop them off at your local fire station when they get to be a handful.
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If some of us can get an Oscar for extolling that it's hard out there for a pimp, why can't others of us admonish: 'Then quit acting like a pimp'?
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Our touchstones of slavery are 'Song of the South,' 'Gone With the Wind' and 'The Birth of a Nation.' It's hard to separate the cinematic quality from the underlying themes. I appreciate the films, but the message was repugnant.
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There are any number of very hard working people in Hollywood who deserve recognition. Mostly its the artisans and crafts persons - the 'below the line' workers - whose only reward is to be pejoratively labeled 'below the line' workers. I say get them all on the next thing smoking to Vegas for an all expense paid weekend of whatever.
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I'm John the Fourth, so I think there's a lot of things in life that have been truly handed to me by the hard work and the pain of others.
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Doing adaptations is hard, ... because once you say, 'I'm going to take everything that millions of other readers have thought of and I'm going to make the definitive version of that,' ... I think it's a really hard thing to do.
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With comics, you don't have to worry so much about budgetary constraints. In film and television, however fanciful you want to be, someone can come up to you and go, 'Okay, this is going to cost X amount of dollars, and we only have so many days to film this.' With graphic novels, you can have that alien invasion you've always wanted to see.
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Why do we cling to bigotry? Because bigotry, plainly, is convenient. It is a near-effortless way to both elevate one's stature and make a pity grab in this culture of victims that we have become.
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Even I haven't downed enough L.A. Kool-Aid to believe that somehow Hollywood movies are an overt instrument of morality.
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Fact is, awards shows were never really about recognizing achievement. They were a publicity ploy cooked up in the late 1920s by MGM topper Louie Mayer and his newly formed Academy of Motion Picture Arts and Sciences which was itself, back in the day, nothing but a front organization to discourage unionizing.
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Fanboys are a creator's blessing and curse. If a fanboy likes you, they love you. Obsessively. If you cross them with some plot point or story direction they reject, expect to be wholly and continually eviscerated across the Internet.
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Certainly as a kid, I grew up with Batman, Superman, whoever - they didn't need to be black for me to relate to them. But when a character like Cyborg came along, I got excited, because he looked a little bit more like me; his experiences were a little bit more like mine.