John Ridley
John Ridley
John Ridley IV is an American screenwriter, film director, novelist, and showrunner, known for 12 Years a Slave, for which he won an Academy Award for Best Adapted Screenplay...
NationalityAmerican
ProfessionDirector
CountryUnited States of America
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Even I haven't downed enough L.A. Kool-Aid to believe that somehow Hollywood movies are an overt instrument of morality.
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There are still some people out there who believe comic books are nothing more than, well, comic books. But the true cognoscenti know graphic novels are - at their best - an amazing blend of art literature and the theater of the mind.
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When I go to business meetings, I'm still told way too often by some receptionist, 'The mail room is downstairs,' to believe that racial perceptions don't still exist. But I figure there are always going to be knuckleheads no matter how many of their herd get stuck in the tar pits of progress.
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It does no good to believe in what does not exist to the point one cannot focus on what is real. That would be the greatest tragedy of any 'conspiracy.'
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I think I'm an overly emotional person. I feel a lot, but I don't believe that's unique to me or that's how I am able to do the things I do.
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Even I haven't downed enough L.A. Kool-Aid to believe that somehow Hollywood movies are an overt instrument of morality.
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With comics, you don't have to worry so much about budgetary constraints. In film and television, however fanciful you want to be, someone can come up to you and go, 'Okay, this is going to cost X amount of dollars, and we only have so many days to film this.' With graphic novels, you can have that alien invasion you've always wanted to see.
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Why is it that the very people who have fought so hard and so long for the simple entitlement to love whom they choose to love are the very ones denied that right by those who routinely take their vows for granted?
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Why do we cling to bigotry? Because bigotry, plainly, is convenient. It is a near-effortless way to both elevate one's stature and make a pity grab in this culture of victims that we have become.
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Fact is, awards shows were never really about recognizing achievement. They were a publicity ploy cooked up in the late 1920s by MGM topper Louie Mayer and his newly formed Academy of Motion Picture Arts and Sciences which was itself, back in the day, nothing but a front organization to discourage unionizing.
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Fanboys are a creator's blessing and curse. If a fanboy likes you, they love you. Obsessively. If you cross them with some plot point or story direction they reject, expect to be wholly and continually eviscerated across the Internet.
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Certainly as a kid, I grew up with Batman, Superman, whoever - they didn't need to be black for me to relate to them. But when a character like Cyborg came along, I got excited, because he looked a little bit more like me; his experiences were a little bit more like mine.
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So, is Hollywood anti-religion? Not in my opinion. But unlike, say, politicians and preachers who talk faith before going off to speak in tongues to their mistresses, Hollywood just doesn't wear its faith on its sleeve.
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When times are tough, people want to escape to somewhere fantastic without having to pay actual escape-to-somewhere-fantastic cash. And offering a couple of hours away from the ordinary is what the movies do best.