John Ridley
John Ridley
John Ridley IV is an American screenwriter, film director, novelist, and showrunner, known for 12 Years a Slave, for which he won an Academy Award for Best Adapted Screenplay...
NationalityAmerican
ProfessionDirector
CountryUnited States of America
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It's not that white guys shouldn't be allowed to engage in discussions on race in America. But there's nothing more exhausting than white male liberals' dogmatisms on race that were clearly formed during a conversation they had with that one black guy they met back in college.
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Doing adaptations is hard, ... because once you say, 'I'm going to take everything that millions of other readers have thought of and I'm going to make the definitive version of that,' ... I think it's a really hard thing to do.
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It's funny: over time, if you're fortunate, you build a nice career, and you have these interesting moments, and I would not, looking back, trade any of them - 'Red Tails,' '12 Years a Slave' and 'Undercover Brother.'
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There are some individuals who look at graphic novels as 'canon,' and they cannot change in any way, shape or form, and that's what makes them in some ways good fans.
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Yes, it's hard to stay in shape, but it's also hard to raise kids. That doesn't mean you get to drop them off at your local fire station when they get to be a handful.
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Writing a screenplay needs to be more than words on a page - and by the way, I think the words on the page are something you have to try to execute on the highest level you can; I'm not dismissing that by any regard.
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Until politicos take a true stand in defense of marriage by proposing an anti-adultery amendment to the Constitution, stop demonizing gays and lesbians when the one debasing your marriage is the individual in the mirror.
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There are any number of very hard working people in Hollywood who deserve recognition. Mostly its the artisans and crafts persons - the 'below the line' workers - whose only reward is to be pejoratively labeled 'below the line' workers. I say get them all on the next thing smoking to Vegas for an all expense paid weekend of whatever.
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We want to be able to be political, but we don't want it, on a weekly basis, to be on race and politics and polemics. We want it to be a lot more fun.
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Bad news: Complainers are rewarded for complaining. Indicative of the victim culture in which we live, people have not only come to expect something for nothing, but are then rewarded for how loudly they can ventilate their sense of having been victims of fraud.
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As long as we remain committed to holding high our individuals of supreme finish, others will be inspired to loose themselves of the gravity of the waywards and downtroddens.
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There remains a degree of anti-black intellectualism in entertainment. Middle and upper-middle class blacks have often been portrayed as buffoons in popular culture; witness the characters of Carlton Banks on 'The Fresh Prince of Bel-Air' and Braxton P. Hartnabrig on 'The Jamie Foxx Show.'
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As an ex-stand up, I can tell you that a comedy club isn't a place you go looking to get the abuse you just can't seem to find in daily life. The stage is a performer's domain. You protect that domain. You are not on stage to take what's given just 'cause you're getting paid. If you are attacked, you retaliate.
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Awards shows have devolved into self-parodies - liberals in limos, corny insider jokes delivered by the hosts among bad teleprompter reading from the some of the best thespians on the planet.