John Ridley
John Ridley
John Ridley IV is an American screenwriter, film director, novelist, and showrunner, known for 12 Years a Slave, for which he won an Academy Award for Best Adapted Screenplay...
NationalityAmerican
ProfessionDirector
CountryUnited States of America
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There remains a degree of anti-black intellectualism in entertainment. Middle and upper-middle class blacks have often been portrayed as buffoons in popular culture; witness the characters of Carlton Banks on 'The Fresh Prince of Bel-Air' and Braxton P. Hartnabrig on 'The Jamie Foxx Show.'
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It's not that white guys shouldn't be allowed to engage in discussions on race in America. But there's nothing more exhausting than white male liberals' dogmatisms on race that were clearly formed during a conversation they had with that one black guy they met back in college.
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Doing adaptations is hard, ... because once you say, 'I'm going to take everything that millions of other readers have thought of and I'm going to make the definitive version of that,' ... I think it's a really hard thing to do.
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Until politicos take a true stand in defense of marriage by proposing an anti-adultery amendment to the Constitution, stop demonizing gays and lesbians when the one debasing your marriage is the individual in the mirror.
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Writing a screenplay needs to be more than words on a page - and by the way, I think the words on the page are something you have to try to execute on the highest level you can; I'm not dismissing that by any regard.
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I remember 'Roots' growing up and the cultural impact it had on the country. Watching 'Roots' was not the cool remove of reading about slavery in a book or hearing about it in class. It became something that swept people along.
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I haven't tweeted once in my life, but I'm sick of hearing about it already. What once may have been the cool way of letting a hundred people know that you're about to go mow your lawn now has the feel of a used-to-be-fresh means of communicating. So yesterday, like two-way pagers. And AOL.
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Being of color in America by no means amounts to a constant barrage of negativity. However, unlike being white, being of color means one's race is a constant issue.
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In every election cycle that I can recall, there comes a moment - or a few - where charges of elitism and claims of commonness are wielded by presidential candidates like a sword and shield: 'Vote for me 'cause I'm one of you. It's the other guy who's out of touch.'
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In the Everybody-Give-Me-A-Hug victim culture in which we live, the obese want a spot at the table along with those who face discrimination based on the way that God or Nature or our Intelligent Designer created us.
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I don't really have anything against the French except that, as an American, I've been bred to despise them with the same zeal as soccer and Renny Harlin films.
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I didn't know I was a good director, and I mean that sincerely. I had done a film a long time ago called 'Cold Around the Heart.' Nobody saw it, and it didn't turn out the way I wanted to.
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Why is it that the very people who have fought so hard and so long for the simple entitlement to love whom they choose to love are the very ones denied that right by those who routinely take their vows for granted?
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Why do we cling to bigotry? Because bigotry, plainly, is convenient. It is a near-effortless way to both elevate one's stature and make a pity grab in this culture of victims that we have become.