Jim Lee

Jim Lee
Jim Leeis a Korean American comic book artist, writer, editor, and publisher. He entered the industry in 1987 as an artist for Marvel Comics, illustrating titles such as Alpha Flight and The Punisher War Journal, before gaining popularity on The Uncanny X-Men. X-Men No. 1, the 1991 spin-off series premiere that Lee penciled and co-wrote with Chris Claremont, remains the best-selling comic book of all time, according to Guinness World Records...
NationalitySouth Korean
ProfessionArtist
Date of Birth11 August 1964
foil history lantern mixing scenes
When you have a Green Lantern mixing with a foil like Batman, you get scenes that are comic-book history. There's the epicness of it all.
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We've never really seen that strong of a level of support for gambling in the Southwestern part of the state. I don't think the city will have much of a love affair with gambling.
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When a character has as wide an audience and as rich a history as Batman, it's truly exciting to see him introduced into an all-new storytelling medium. BATMAN LIVE will bring a completely new experience to fans of the character - it's great to be able to give them something they haven't seen before.
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We're trying to use it as an intervention.
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It's such a unique thing that we have here. It'll be one of the things that helps bring people into Freeport.
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It's interesting - a lot of what you accomplish in your lifetime either as an individual or as a company is determined by other people. I mean, you can do interview after interview and defend a point of view, but more often than not, the collective kind of opinion will be the one viewed historically and taken as gospel.
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It seems to me that maybe there are some people softening up a bit.
comic covers portrait work
I try to do a lot of asymmetrical, triangular compositions - I find those work really well for comic book covers in that portrait mode, and I don't always see that in other artists.
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They didn't abandon their duty. This is the call of firefighters everywhere. Every call you answer can be your last.
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'The Authority,' by Warren Ellis and Bryan Hitch, really pioneered the widescreen, action-packed style of storytelling.
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Superman tends to stand very upright, and he's very symmetrical, and those are actually the most difficult poses for me to draw.
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Superman is the hardest character to draw. There are a couple of things that make him difficult. He's got a very simple costume and doesn't have the long cape like Batman. He's not a character that is necessarily always in shadow, and he doesn't have a mask.
Superheroes are modern mythological characters, so you're going to make them look impossible. Even my Krypto The Superdog is the idealisation of the canine form.
both global hands publishers time
There are a lot of global decisions that you can make as a co-publisher, and only publishers can make those kind of decisions. At the same time, there are some things you can do only as a penciler or creator. I want to keep my hands in both pots, so to speak.