Gustave Flaubert
Gustave Flaubert
Gustave Flaubertwas an influential French novelist who was perhaps the leading exponent of literary realism in his country. He is known especially for his first published novel, Madame Bovary, for his Correspondence, and for his scrupulous devotion to his style and aesthetics. The celebrated short story writer Guy de Maupassant was a protégé of Flaubert...
NationalityFrench
ProfessionNovelist
Date of Birth12 December 1821
CityRouen, France
CountryFrance
The writer must wade into life as into the sea, but only up to the navel.
The hearts of women are like those little pieces of furniture with secret hiding - places, full of drawers fitted into each other; you go a lot of trouble, break your nails, and in the bottom find some withered flower, a few grains of dust - or emptiness!
She loved the sea for its storms alone, cared for vegetation only when it grew here and there among ruins. She had to extract a kind of personal advantage from things and she rejected as useless everything that promised no immediate gratification — for her temperament was more sentimental than artistic, and what she was looking for was emotions, not scenery.
He loved a book because it was a book; he loved its odor, its form, its title. What he loved in a manuscript was its old illegible date, the bizarre and strange Gothic characters, the heavy gilding which loaded its drawings. It was its pages covered with dust — dust of which he breathed the sweet and tender perfume with delight.
Nothing is more humiliating than to see idiots succeed in enterprises we have failed in.
The public wants work which flatters its illusions.
In her enthusiasms she had always looked for something tangible: she had always loved church for its flowers, music for its romantic words, literature for its power to stir the passions and she rebelled before the mysteries of faith just as she grew ever more restive under discipline, which was antipathetic to her nature.
On certain occasions art can shake very ordinary spirits, and whole worlds can be revealed by its clumsiest interpreters.
I am alone on this road strewn with bones and bordered by ruins! Angels have their brothers, and demons have their infernal companions. Yet I have but the sound of my scythe when it harvests, my whistling arrows, my galloping horse. Always the sound of the same wave eating away at the world
Casting aspersions on those we love always does something to loosen our ties. We shouldn't maltreat our idols: the gilt comes off on our hands.
The principal thing in this world is to keep one's soul aloft.
Pleasure is found first in anticipation, later in memory.
What stops me from taking myself seriously, even though I am essentially a serious person, is that I find myself extremely ridiculous, not in the sense of the small-scale ridiculousness of slap-stick comedy, but rather in the sense of ridiculousness that seems intrinsic to human life and that manifests itself in the simplest actions and the most extraordinary gestures.
The denigration of those we love always detaches us from them in some degree. Never touch your idols: the gilding will stick to your fingers.