Gustave Flaubert
Gustave Flaubert
Gustave Flaubertwas an influential French novelist who was perhaps the leading exponent of literary realism in his country. He is known especially for his first published novel, Madame Bovary, for his Correspondence, and for his scrupulous devotion to his style and aesthetics. The celebrated short story writer Guy de Maupassant was a protégé of Flaubert...
NationalityFrench
ProfessionNovelist
Date of Birth12 December 1821
CityRouen, France
CountryFrance
I maintain that ideas are events. It is more difficult to make them interesting, I know, but if you fail the style is at fault.
Better to work for yourself alone. You do as you like and follow your own ideas, you admire yourself and please yourself: isn’t that the main thing? And then the public is so stupid. Besides, who reads? And what do they read? And what do they admire?
L'Ide e seule est e ternelle et ne cessaire. The idea alone is eternal and necessary.
Each dream finds at last its form; there is a drink for every thirst, and love for every heart. And there is no better way to spend your life than in the unceasing preoccupation of an idea--of an ideal.
What a heavy oar the pen is, and what a strong current ideas are to row in!
DAGUERREOTYPE Will take the place of painting. (See PHOTOGRAPHY.) (From The Dictionary of Received Ideas, assembled from notes Flaubert made in the 1870s.)
What better occupation, really, than to spend the evening at the fireside with a book, with the wind beating on the windows and the lamp burning bright...Haven't you ever happened to come across in a book some vague notion that you've had, some obscure idea that returns from afar and that seems to express completely your most subtle feelings?
Equality is slavery. That is why I love art.
Print: to see one's name in print! - Some people commit a crime for no other reason
Books are made not like children but like pyramids and they're just as useless! And they stay in the desert! Jackals piss at their foot and the bourgeois climb up on them.
Judge the goodness of a book by the energy of the punches it has given you. . . I believe the greatest characteristic of genius, is, above all, force.
The artist ought no more to appear in his work than God in nature.
The artist must be in his work like God in his Creation, invisible and all-powerful, so that he is felt everywhere but not seen.
Happy are they who don't doubt themselves and whose pens fly across the page. I myself hesitate, I falter, I become angry and fearful, my drive diminishes as my taste improves, and I brood more over an ill-suited word than I rejoice over a well-proportioned paragraph.