David Mamet
David Mamet
David Alan Mametis an American playwright, essayist, screenwriter, and film director. As a playwright, Mamet has won a Pulitzer Prize and received Tony nominations for Glengarry Glen Rossand Speed-the-Plow. Mamet first gained acclaim for a trio of off-Broadway plays in 1976, The Duck Variations, Sexual Perversity in Chicago, and American Buffalo. His play Race opened on Broadway on December 6, 2009...
NationalityAmerican
ProfessionPlaywright
Date of Birth30 November 1947
CityChicago, IL
CountryUnited States of America
I always thought the real violence in Hollywood isn't what's on the screen. It's what you have to do to raise the money.
Worry is interest paid in advance on a debt that never comes due....
We cannot live without trade. A society can neither advance nor improve without excess of disposable income. This excess can only be amassed through the production of goods and services necessary or attractive to the mass. A financial system which allows this leads to inequality; one that does not leads to mass starvation.
Everyone needs money. That's why they call it money
Luck, if there is such a thing, is either going to favor everyone equally or going to exhibit a preference for the prepared.
The correct unit of study is not the play; it is the scene.
It’s not a lie. It’s a gift for fiction.
If you're writing an opinion piece, it's your job to write your opinion. If, on the other hand, you wrote a novel, as Virginia Woolf tells us, it would be inappropriate if you let your novel be influenced by your political opinions.
I used to think I'd like to be a fireman - in fact, I still would - and the only drawback I could see was coming back to the firehouse, after a day of fighting fires, and still having to put in an eight-hour day writing.
Each culture has its own form of staged combat, evolved from its particular method of street fighting and cleaned up for presentation as a spectacle, e.g. savate, Cornish wrestling, karate, kung-fu.
Culture exists and evolves to relegate to habit categories of interactions the constant conscious reference to which would make human interaction impossible.
American football seems to resemble soccer in that one scores by putting the ball through the opponent's goal; but football, truly is about land. The Settlers want to move the line of scrimmage Westward, the Native Americans want to move it East.
The product of the artist has become less important than the fact of the artist. We wish to absorb this person. We wish to devour someone who has experienced the tragic. In our society this person is much more important than anything he might create.
You know, young actors say all the time, 'Should I use my own life experience?' And my response is, 'What choice do you have?'