David Mamet

David Mamet
David Alan Mametis an American playwright, essayist, screenwriter, and film director. As a playwright, Mamet has won a Pulitzer Prize and received Tony nominations for Glengarry Glen Rossand Speed-the-Plow. Mamet first gained acclaim for a trio of off-Broadway plays in 1976, The Duck Variations, Sexual Perversity in Chicago, and American Buffalo. His play Race opened on Broadway on December 6, 2009...
NationalityAmerican
ProfessionPlaywright
Date of Birth30 November 1947
CityChicago, IL
CountryUnited States of America
There is no such thing as character other than the habitual action, as Mr. Aristotle told us two thousand years ago.
Characters on stage, like people in what we refer to as "real life," do not speak to reveal themselves. They do not speak to conceal themselves. They speak to get whatever it is that they want. It is the only reason they speak.
IF YOU PRETEND THE CHARACTERS CANT SPEAK, AND WRITE A SILENT MOVIE, YOU WILL BE WRITING GREAT DRAMA.
Consider: for all the gobbledegook [film studio] executives spout about backstory, all that we, the audience, want to know is what happens next. That's the only thing that's going on. . . . Character is nothing other than action, and character-driven means The plot stinks, and you'd better hope the star is popular enough to open the movie in spite of it.
Any time two characters are talking about a third, the scene is a crock of s***.
Don't write stage directions. If it is not apparent what the character is trying to accomplish by saying the line, tell us how the character said it or whether or not she moved to the couch isn't going to aid the case.
The poker player learns that sometimes both science and common sense are wrong; that the bumblebee can fly; that, perhaps, one should never trust an expert; that there are more things in Heaven and Earth than are dreamt of by those with an academic bent.
The proclamation and repetition of first principles is a constant feature of life in our democracy. Active adherence to these principles, however, has always been considered un-American. We recipients of the boon of liberty have always been ready, when faced with discomfort, to discard any and all first principles of liberty, and, further, to indict those who do not freely join with us in happily arrogating those principles.
I've been training in Jiu-jitsu for about six years and I'm very fortunate to live in that world. All the fighters hang out and have lunch together just about every day and trade stories. And I've always been fascinated how in the world of Jiu-jitsu in L.A. everybody in the fight world - cops, special forces, bouncers, stuntmen - connected across different lines.
The realization that I came to is that each citizen for himself or herself understands the economics, which is, "I better make more than I spend and I better put something aside for a rainy day, and I want to get a good idea about what to do with the surplus so that perhaps it can grow while I'm sleeping." And that that's capitalism. Everybody practices it, but half of the country - those on the left - deny that it's true.
The secret knowledge is there's nobody home but us chickens. The Constitution was written by a bunch of regular guys who tried to get together and thrash out a contract under which they could get together that would keep people together.
Like Lincoln said: "If slavery is not wrong, nothing is wrong," and I feel the same way about the leftist dismantling of the West. If that's not wrong, then nothing is wrong.
The conscious mind is going to suggest the obvious, the cliché, because these things have offered the security of having succeeded in the past.
The purpose of technique is to free the unconscious. If you follow the rules ploddingly, they will allow your unconscious to be free.