David Mamet

David Mamet
David Alan Mametis an American playwright, essayist, screenwriter, and film director. As a playwright, Mamet has won a Pulitzer Prize and received Tony nominations for Glengarry Glen Rossand Speed-the-Plow. Mamet first gained acclaim for a trio of off-Broadway plays in 1976, The Duck Variations, Sexual Perversity in Chicago, and American Buffalo. His play Race opened on Broadway on December 6, 2009...
NationalityAmerican
ProfessionPlaywright
Date of Birth30 November 1947
CityChicago, IL
CountryUnited States of America
Put. That coffee. Down. Coffee's for closers only.
The Oscars demonstrate the will of the people to control and judge those they have elected to stand above them (much, perhaps, as in bygone days, an election celebrated the same).
We recipients of the boon of liberty have always been ready, when faced with discomfort, to discard any and all first principles of liberty, and, further, to indict those who do not freely join with us in happily arrogating those principles.
Any claim to actual identification as a drama must rest upon the construction of a plot independent of the assignment of affliction to the protagonist.
Policemen so cherish their status as keepers of the peace and protectors of the public that they have occasionally been known to beat to death those citizens or groups who question that status.
Fun is what you do for yourself. If somebody else does it, it's entertainment.
Anyone can write five people trapped in a snowstorm. The question is how you get them into the snowstorm. It's hard to write a good play because it's hard to structure a plot. If you can think of it off the top of your head, so can the audience. To think of a plot that is, as Aristotle says, surprising and yet inevitable, is a lot, lot, lot of work.
As you all know first prize is a Cadillac El Dorado. Anyone wanna see second prize? Second prize is a set of steak knives. Third prize is you're fired.
The audience will teach you how to act and the audience will teach you how to write and to direct. The classroom will teach you how to obey, and obedience in the theatre will get you nowhere. It’s a soothing falsity.
Where in the wide history of the world do we find art created by the excessively wealthy, powerful, or educated?
Before you can steal fire from the Gods you gotta be able to get coffee for the director
IF YOU PRETEND THE CHARACTERS CANT SPEAK, AND WRITE A SILENT MOVIE, YOU WILL BE WRITING GREAT DRAMA.
My alma mater is the Chicago Public Library. I got what little educational foundation I got in the third-floor reading room, under the tutelage of a Coca-Cola sign.
I'm not the guy to ask about politics. I'm a gag writer.