Clive Barker

Clive Barker
Clive Barkeris an English writer, film director, and visual artist best known for his work in both fantasy and horror fiction. Barker came to prominence in the mid-1980s with a series of short stories, the Books of Blood, which established him as a leading horror writer. He has since written many novels and other works, and his fiction has been adapted into films, notably the Hellraiser and Candyman series. He was the Executive Producer of the film Gods and Monsters...
NationalityEnglish
ProfessionNovelist
Date of Birth5 October 1952
Angels have very nasty tempers. Especially when they’re feeling righteous.
Whatever capacity she possesses to supernaturally beguile a human soul—and she possesses many—she liked his clear-sightedness too well, to blind him that way.
By and large I think art is made by people who have discipline married to talent in sufficiently large amounts to work even if they don't feel like it. Anybody can get maudlin and decide to write poetry at 11 at night; the question is, can you do it at 8:30 on a Monday morning..?
The world had seen so many Ages: the Age of Enlightenment; of Reformation; of Reason. Now, at last, the Age of Desire. And after this, an end to Ages; an end, perhaps, to everything.
Even winter — the hardest season, the most implacable — dreams, as February creeps on, of the flame that will presently melt it away. Everything tires with time, and starts to seek some opposition, to save it from itself.
Books should make somebody look at how they feel, be honest with themselves.
As for theatre, there's ups and downs to everything. Theatre is ephemeral. But that is part of its charm because you can always say the production was better than it was.
For a writer, and particularly a writer of my genre, which is the fantastical, I think that it's to my advantage to feel remote from and disconnected from the world of deal making.
I love meeting people who've read my books. The prime reason to be on the planet is to make things I can show to other people: paintings, books, movies.
I remember when I watched 'Hellraiser' with my mother. She cried when she saw my name in the opening credits, and I had to tell her that that was the happiest she was going to be for the next two hours.
I think that horror fiction is one of the ways to approach these problems of death.
If we have nothing to do but service our own pleasure - because society has taught us that's all we're worth and we're exiled from positions of authority from which we could actually shape society - then we just become hedonists. Eventually, despite how great it may look on Saturday night, come Monday morning there's just purposelessness.
I've held a brain in my hands, which is an extraordinary experience.
The monsters act out our rage. They act on their worst impulses, which is appealing to a certain part of us. They get punished for it, but we've enjoyed the spectacle of their liberation.