Clive Barker
Clive Barker
Clive Barkeris an English writer, film director, and visual artist best known for his work in both fantasy and horror fiction. Barker came to prominence in the mid-1980s with a series of short stories, the Books of Blood, which established him as a leading horror writer. He has since written many novels and other works, and his fiction has been adapted into films, notably the Hellraiser and Candyman series. He was the Executive Producer of the film Gods and Monsters...
NationalityEnglish
ProfessionNovelist
Date of Birth5 October 1952
Writing a book is like masturbation, and making a movie is like an orgy.
Fear is a place where you just tell the truth
I really believe that there is an enormous appetite amongst readers for an originality of vision. In other words, be true to your own dreams and there will always be people who want to hear them.
One part of love is innocence One part of love is guilt One part the milk that in a sense Is soured as soon as spilt One part of love is sentiment One part of love is lust One part is the presentiment Of our return to dust
Richard Christian Matheson is a master of compression. He knows how to catch a moment in words and convey it straight to the reader's heart.
Keep it simple. Trust your imagination. Discover what is unique about your imagination. Don't simply read a story and copy it. I go into myself. Then I transcribe what visions I have. If those ideas are original, and you are devoted, you will go far.
And in time it will be as though men had never come to this perfect corner of the world-never called it paradise on earth, never despoiled it with their dream factories; and in the golden hush of the afternoon all that will be heard will be the flittering of dragonflies, and the murmur of hummingbirds as they pass from bower to bower, looking for a place to sup sweetness.
But I think humans are innately religious as a species, so you don't need a specific excuse for examining the perversely unholy.
The paintings of Francis Bacon to my eye are very beautiful. The paintings of Bosch or Goya are to my eye very beautiful. I've also stood in front of those same paintings with people who've said, 'let's get on to the Botticellis as soon as possible.' I have lingered, of course.
What I tried to do is deliver movies that have worked for me more than once.
We always think we are right, and - search as I have - there is no evil under the sun that somebody somewhere won't argue is actually a good, no idiocy that hasn't got its perfectly serious defenders, and no tyrant, past or present - no matter how bloody - without some bunch of zealot schmucks to defend him or his reputation till the last breath in their bodies - or preferably somebody else's.
I was a weird little kid. I was very irritable, bored, frustrated. I felt my imagination bubbling inside my head without having any way to express itself. Given a crayon and paper, I would not draw a train or a house. I would draw these monsters, beasts and demons.
How many human eyes...had snatched glimpses of their secret anatomies, down the passage of years?
Never believe your eyes