Clive Barker
Clive Barker
Clive Barkeris an English writer, film director, and visual artist best known for his work in both fantasy and horror fiction. Barker came to prominence in the mid-1980s with a series of short stories, the Books of Blood, which established him as a leading horror writer. He has since written many novels and other works, and his fiction has been adapted into films, notably the Hellraiser and Candyman series. He was the Executive Producer of the film Gods and Monsters...
NationalityEnglish
ProfessionNovelist
Date of Birth5 October 1952
What worth was a man who could not be haunted?
True joy is a profound remembering; and true grief the same.
I'm a great dog fanatic. My own dog died a little while ago and I take it very personally when things die-it's a major offence.
Mutilation is the badge that can never be taken off, and sets us apart from all others. Pain is important to the bonding-a physical horror that bonds us ever tighter to all those who have partaken. The intensity of the experience helps to widen the gulf between us and those who have not shared.
I'm a poet,' the young man said, 'And it's my job to remember the sadness of things.
Spring, if it lingers more than a week beyond its span, starts to hunger for summer to end the days of perpetual promise. Summer in its turn soon begins to sweat for something to quench its heat, and the mellowest of autumns will tire of gentility at last, and ache for a quick sharp frost to kill its fruitfulness. Even winter — the hardest season, the most implacable — dreams, as February creeps on, of the flame that will presently melt it away. Everything tires with time, and starts to seek some opposition, to save it from itself.
Words are sexier than flesh.
Of all the rash and midnight promises made in the name of love, none, Boone now knew, was more certain to be broken than "I'll never leave you.
I don't like to make a distinction between the writer and the painter , finally , because I do both things anyway . Everybody's dreaming and trying to put down their dreams in the way that their hand knows best . I feel as much a unity , as much comradeship , with painters as I do writers .
The whole point about vision is that it's very individual, it's very personal, and it has to be confessional. It has to be something which hurts - the pulling out of it and putting it on the page hurts. Art can be about the individual writer's response to his or her condition, and if that response comes out of a predigested belief about what the audience wants to hear about the writer's condition, then it has no truth, it has no validity. You either write with your own blood or nobody's. Otherwise it's just ink.
Leavening the flat bread of what we know, with the yeast of what we dream may come to pass.
We're both thieves, Harvey Swick. I take time. You take lives. But in the end we're the same: both Thieves of Always.
Why'd you want to sing about sad things?" Candy had asked him. "Because any fool can be happy," he'd said to her. "It takes a man with real heart" —he'd made a fist and laid it against his chest— "to make beauty out of the stuff that makes us weep.
Well, it was most likely too late; there would not be time for me to flagellate myself for every dishonorable deed in that list, nor any chance to make good the harms I’d done. Minor harms, to be sure, in the scheme of things; but large enough to regret.