Ambrose Gwinett Bierce
Ambrose Gwinett Bierce
Ambrose Gwinnett Biercewas an American editorialist, journalist, short story writer, fabulist, and satirist. He wrote the short story "An Occurrence at Owl Creek Bridge" and compiled a satirical lexicon, The Devil's Dictionary. His vehemence as a critic, his motto "Nothing matters", and the sardonic view of human nature that informed his work, all earned him the nickname "Bitter Bierce"...
animal awhile balance barren bunch burial casket cheat country dead death doomed egyptians enriching fertile gases incapable lawn locking man meantime modern natural ought rose shall step supporting thereby vegetable vegetation violet
Embalm, v.: To cheat vegetation by locking up the gases upon which it feeds. By embalming their dead and thereby deranging the natural balance between animal and vegetable life, the Egyptians made their once fertile and populous country barren and incapable of supporting more than a meagre crew. The modern metallic burial casket is a step in the same direction, and many a dead man who ought now to be ornamenting his neighbor's lawn as a tree, or enriching his table as a bunch of radishes, is doomed to a long inutility. We shall get him after awhile if we are spared, but in the meantime the violet and the rose are languishing for a nibble at his glutaeus maximus.
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PRESENTABLE, adj. Hideously appareled after the manner of the time and place. In Boorioboola-Gha a man is presentable on occasions of ceremony if he have his abdomen painted a bright blue and wear a cow's tail; in New York he may, if it please him, omit the paint, but after sunset he must wear two tails made of the wool of a sheep and dyed black.
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SATYR, n. One of the few characters of the Grecian mythology accorded recognition in the Hebrew. (Leviticus, xvii, 7.) The satyr was at first a member of the dissolute community acknowledging a loose allegiance with Dionysius, but underwent many transformations and improvements. Not infrequently he is confounded with the faun, a later and decenter creation of the Romans, who was less like a man and more like a goat.
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DISOBEY, v.t. To celebrate with an appropriate ceremony the maturity of a command.His right to govern me is clear as day, My duty manifest to disobey; And if that fit observance e'er I shut May I and duty be alike undone. --Israfel Brown
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CONTEMPT, n. The feeling of a prudent man for an enemy who is too formidable safely to be opposed.
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CORPORAL, n. A man who occupies the lowest rung of the military ladder.Fiercely the battle raged and, sad to tell, Our corporal heroically fell! Fame from her height looked down upon the brawl And said: ""He hadn't very far to fall."" --Giacomo Smith
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HATCHET, n. A young axe, known among Indians as a Thomashawk.""O bury the hatchet, irascible Red, For peace is a blessing,"" the White Man said. The Savage concurred, and that weapon interred, With imposing rites, in the White Man's head. --John Lukkus
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HABEAS CORPUS. A writ by which a man may be taken out of jail when confined for the wrong crime.
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FREEMASONS, n. An order with secret rites, grotesque ceremonies and fantastic costumes, which, originating in the reign of Charles II, among working artisans of London, has been joined successively by the dead of past centuries in unbroken retrogression until now it embraces all the generations of man on the hither side of Adam and is drumming up distinguished recruits among the pre-Creational inhabitants of Chaos and Formless Void. The order was founded at different times by Charlemagne, Julius Caesar, Cyrus, Solomon, Zoroaster, Confucious, Thothmes, and Buddha. Its emblems and symbols have been found in the Catacombs of Paris and Rome, on the stones of the Parthenon and the Chinese Great Wall, among the temples of Karnak and Palmyra and in the Egyptian Pyramids --always by a Freemason.
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LAZINESS, n. Unwarranted repose of manner in a person of low degree.
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OLEAGINOUS, adj. Oily, smooth, sleek. Disraeli once described the manner of Bishop Wilberforce as "unctuous, oleaginous, saponaceous." And the good prelate was ever afterward known as Soapy Sam. For every man there is something in the vocabulary that would stick to him like a second skin. His enemies have only to find it.
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MUMMY, n. An ancient Egyptian . . . handy, too, in museums in gratifying the vulgar curiosity that serves to distinguish man from the lower animals.
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MUMMY, n. An ancient Egyptian, formerly in universal use among modern civilized nations as medicine, and now engaged in supplying art with an excellent pigment. He is handy, too, in museums in gratifying the vulgar curiosity that serves to distinguish man from the lower animals.By means of the Mummy, mankind, it is said, Attests to the gods its respect for the dead. We plunder his tomb, be he sinner or saint, Distil him for physic and grind him for paint, Exhibit for money his poor, shrunken frame, And with levity flock to the scene of the shame. O, tell me, ye gods, for the use of my rhyme: For respecting the dead what's the limit of time? --Scopas Brune
barbarous commonly composed compound delight elementary ideas incapable literary man people sentiments tire words writes
MONOSYLLABIC, adj. Composed of words of one syllable, for literary babes who never tire of testifying their delight in the vapid compound by appropriate googoogling. The words are commonly Saxon --that is to say, words of a barbarous people destitute of ideas and incapable of any but the most elementary sentiments and emotions.The man who writes in Saxon Is the man to use an ax on --Judibras