Amanda Palmer

Amanda Palmer
Amanda MacKinnon Gaiman Palmer, sometimes known as Amanda Fucking Palmer, is an American singer-songwriter who first rose to prominence as the lead singer, pianist, and lyricist/composer of the duo The Dresden Dolls. She has had a successful solo career, is also one-half of the duo Evelyn Evelyn, and is the lead singer and songwriter of Amanda Palmer and the Grand Theft Orchestra...
NationalityAmerican
ProfessionRock Singer
Date of Birth30 April 1976
CityNew York City, NY
CountryUnited States of America
You get the feeling that on a lot of days the audience for most music would kind of rather not be faced with the artist, especially because we've been educated to think that the artist are these special creatures are otherwordly and aren't like us.
I'd actually say that every musician is a human being, and that not everybody likes being social. But with music, there are all these ingredients to the business that have nothing to do with writing songs or playing an instrument.
I think I've always felt as a band and as a musician and a music business person, I've always felt like an outsider, period.
One of the best things about Kickstarter and crowdfunding and the collapse of the music business is a lot of artists like me have been forced to face our own weird mess about ourselves and what we thought it meant to become musicians.
I want to live in a world where Miley (or any female musician) can twerk wildly at 20, wear a full-cover floral hippie mumu at 37, show up at 47 in see-through latex, and pose semi-naked, like Keith & co, on the cover of Rolling Stone at 57 and be APPLAUDED for being so comfortable with her body.
In some way, my fundamental feeling about music is that it's impossible to put a price tag on it. Human beings made music before they made a lot of other things, including tools.
I see everybody arguing about what the value of music should be instead of what I think the bigger conversation is, which is that music has value, it's subjective and we're moving to a new era where the audience is taking more responsibility for supporting artists at whatever level.
I don't feel at home in New Orleans. I don't feel at home in Austin or L.A. And I just felt immediately at home in northern Australia.
Sean and Paul have been following the band's growth for the past two years and have a real understanding of what we're trying to capture. The record is going to be fast and furious, immediate and raw.
I feel pretty good. Three meets in a week is alot.
There are a lot of ways in which Brian and I have nothing in common. I remember saying to Brian - it broke his heart but it was true - this is the one-year point where if you were my boyfriend I would break up with you, but this is a band.
If you stuck me in a room and gave me art-making tools but told me no one would ever see the results, I don't think I'd have much desire to make art. What I do comes from a deep desire to be seen and to see others.
I've been in a recording studio enough times to know that it is not the best place to multitask. Doing a couple of takes of a song and running out to check your email to talk to someone about video production really is not good.
This was not an easy decision and we're sorry for the late notice. Once we finish up the recordings of record number two the full Dresden Dolls experience will be back out on the road.