Amanda Palmer
Amanda Palmer
Amanda MacKinnon Gaiman Palmer, sometimes known as Amanda Fucking Palmer, is an American singer-songwriter who first rose to prominence as the lead singer, pianist, and lyricist/composer of the duo The Dresden Dolls. She has had a successful solo career, is also one-half of the duo Evelyn Evelyn, and is the lead singer and songwriter of Amanda Palmer and the Grand Theft Orchestra...
NationalityAmerican
ProfessionRock Singer
Date of Birth30 April 1976
CityNew York City, NY
CountryUnited States of America
You're not going to be perfect, you're not going to stop berating yourself, you're not going to stop the comparisons, you're not going to stop the judgment, but you can become evermore mindful of it, and that has to be good enough.
I have a handful of really close relationships in my life and I depend on those people heavily to carry me through and to help me stay steady.
I had a real come-to-Jesus a couple of years ago when I started to see the direct line between feminism and everything else - feminism and climate change, feminism and poverty, feminism and hunger - and it was almost like I was born again and started walking down the street and was like, "Oh, my God, there are women everywhere! They're just everywhere you look. There's women all over the place!"
There's a fundamental disconnection in society in the way we live, this way we live that we take so for granted, and we've become very separate from one another and we don't really take lot of time to realize that. And the math is overwhelming to the point of despair, but the answers could be so simple.
If we can repair things emotionally, a lot of other things would follow.
On many days, harder than the act of making the art itself is the act of sharing it and living in a culture that you know is built to tear you down.
It's fine for people to say, "If you can't stand the heat and if you can't stand the criticism, then just don't use the Internet"; unfortunately, that is not an option. The Internet is where we make our living and where we make our work, especially if we're independents and we cannot afford to not engage, because that's where our business is driving from. It's just not an option.
Comparing yourself to the people like you, comparing yourself to the people who aren't like you, looking at how many records you've sold, looking at the venue size you're selling out. None of that can even remotely measure how happy you are.
I kind of rely on my artist friends to make my physical music worth buying by having them all come together and create beautiful artwork that everyone is gonna want to own to support my record.
If I simply do what I've always done, it's never failed me.
You know, there are so many snarky angry critics out there who are just sort of looking to tear down whoever is getting talked about.
There's a part of me that is really, really happy with all of my success lately because of what it can get me and what it can buy me in the fact that my music will hopefully reach more people. But it also makes me a little bit miserable because the minute the spotlight is on you, people start flinging sh*t at you for whatever reason.
I feel like I've gotten to the point in my career and in my life where I can allow myself to write whatever comes into my head and not judge it too harshly.
I feel like if I were to play the game completely and just get myself in a giant bottle of nail polish and put myself on display, I would feel like I had somehow cosmically lost. I feel like I'm taking a bunch of the ingredients and using some of them but not all of them and shuffling around and making people think I'm doing my job.