Amanda Palmer
Amanda Palmer
Amanda MacKinnon Gaiman Palmer, sometimes known as Amanda Fucking Palmer, is an American singer-songwriter who first rose to prominence as the lead singer, pianist, and lyricist/composer of the duo The Dresden Dolls. She has had a successful solo career, is also one-half of the duo Evelyn Evelyn, and is the lead singer and songwriter of Amanda Palmer and the Grand Theft Orchestra...
NationalityAmerican
ProfessionRock Singer
Date of Birth30 April 1976
CityNew York City, NY
CountryUnited States of America
The challenge is to just focus on what's actually happening, focus on the people who get it, and focus on the people who are listening.
What I have found is, so much of that is like a Chinese finger trap: the more you play to the dark, the more you will get trapped in the dark, and if you just play to the light and focus on the people that don't misunderstand you and focus on the audience that does celebrate you and focus on the people who aren't trying to tear you down, all that other stuff eventually erases itself because it has nothing to feed on.
We are human and our nature is to air.
Our nature is to desperately want to believe and to take what we believe is the quickest path there even against our better judgment.
Everyone I know shares toothbrushes. Everyone I know sleeps on each other's floor. Everyone I know uses what they've got and shares what they've got.
I get really fantastic results when I just get out of my own way.
There are so many people, so many artists, so many magazines, so many theater companies, so many people trying to raise money for so many things that it's easy to look around and just feel powerless or helpless, because even if you have some resources, you can't help everybody.
There was a dance that everyone was doing that was heavily skewed with the power in one direction, but the dance was basically working, and then the dance got really disrupted with the first wave of feminism, and nobody found their footing yet - not the guys, not the women.
While we're over here blocked up in our departments and locked up in our own judgments and dealing with our own crazy problems, they're over there dealing with equivalent problems. One of the things that I am so frightened by lately is that men are having just as difficult a time striking a balance as we are.
I think you can't have this discussion and you can't have a discussion about feminism and the consciousness of the world without having a discussion about what has happened to men lately. They're holding the other side of the bag.
If you're going to make work and you're going to write and you're going to put yourself out there and perform, you will be belittled, you will be insulted, you will be called a standard collection of names, you will be accused, and you just have to stand there and continue to work and find a way to not let those things poison you.
I think it's so important to have a practice, because the consciousness isn't perfection or enlightenment or any of that bullshit. The consciousness is, "Oh, I'm walking down the street and I'm doing nothing."
One thing about being a performer is you're not just doing an intellectual job behind a desk; you're out there performing and being looked at, being assessed for really superficial stuff.
I never wanted to grow a thicker skin; I felt a real sense of pride in my thin skin, and in a weird way, I still do, because it's my thin skin that allows me to empathize with other people. It's the thing that allows me to create vulnerable art. It's the thing that allows me to create other feelings and make songs that actually grab people and touch people. I feel like I've spent my life fighting that thicker skin because I don't want to become an embittered asshole.