Zachary Quinto

Zachary Quinto
Zachary John Quintois an American actor and film producer. He is best known for his roles as Sylar on the science fiction drama series Heroes, Spock in the reboot Star Trekand its sequels Star Trek Into Darknessand Star Trek Beyond, as well as his Emmy nominated performance in American Horror Story: Asylum. He also appeared in smaller roles on television series such as So NoTORIous, The Slap, and 24...
NationalityAmerican
ProfessionTV Actor
Date of Birth2 June 1977
CityPittsburgh, PA
CountryUnited States of America
The razor-sharp line of division that exists between political ideologies in our own country in the United States, I think it's clear that these movements are forming - and one is more forward thinking and more embracing and more inclusive. The other is less tolerant and more judgemental and more fear-driven and fear-based. I think, you know, over the next generation, we're going to see which way we turn as a civilisation.
The advancement of technology has probably guided us more than anything else in one direction or another. I don't know, it's hard to say. We're so much more connected, but we've never been more fractured as a culture.
I think we're a little bit more astray, more far afield from true integration and true acceptance.
I think the next 50 years are going to present the human race with challenges that so far exceed the limitations of geopolitical boundaries or nationalist identity. We're going to be up against challenges that we can barely fathom at this point. So how we embrace them and deal with them will define a great many things about where we go, but, you know, it's hard to say. We're teetering on the edge, I would say.
I didn't get a chance to meet Glen [Beck] for this movie. I did meet him a few years ago, coincidentally, before any of this happened. But I've been familiar with his work, so I felt I wanted to get it right. I wanted to honor him. I respect him and I think the way he does his job is admirable. Yeah, there was an added incentive. I wouldn't call it pressure, but incentive perhaps.
[Edward Snowden and his team] they're great characters. They're fascinating people. They were in an extraordinary situation.
I changed all my passwords. I have no any two passwords that are the same for any service online. I have two-step verification enabled on all my devices...so yeah, I did take some extra steps that I hadn't taken before being exposed to this world.
I saw how vulnerable we all are and how exposed we all are and how this is an issue that affects everyone who owns a piece of technology. Which is certainly most people in this country.
I was aware of it but I think I was aware of it abstractly, theoretically. You know I understood who Edward Snowden was and what he did but I didn't really see the relevance that it bore in my life and doing film changed that tune pretty quick.
The situation they [journalists and Edward Snowden] were in was incredibly heightened. The stakes were high. There was a lot of pressure, a lot of tension, a lot of sense of claustrophobic, clandestine energy that I think was exhilarating for us to explore and recreate. We were fortunate to shoot a fair amount of our stuff at the actual hotel where it all happened in Hong Kong. That added another element of very similitude to the situation, so I feel like it was exciting.
I want to be working with directors who are at the top of their game. I want to be raising the bar for myself, and to me, the best way to do that is to prove to them that I'm the best for this job.
I also feel like the kinds of jobs I want right now - I consider them aspirational. I want to raise the bar for myself, and I am in this interesting spot where I do get offered a lot of things, but frankly, the majority of the things I get offered I'm not really interested in doing. I want to do the things that I have to fight for.
I went away to this summer program after my junior year of high school. They used to have this thing called the Governor's School, and they had it for different disciplines - science, math, performing arts. I auditioned and I got accepted, and it was an eight-week program away from home. I went for acting. I was 15, and I turned 16 while I was there, so that was a seminal moment for me. It made me realize the life of it, the discipline of it, and the joy of that discipline, where it was all we did.
Honestly, people told me to. It was weird, I graduated from school, I never thought I'd live in L.A. and I always wanted to be to New York. I assumed that would be my trajectory - that romantic ideal of moving there and doing plays Off-Broadway and being scrappy about it. Then we did a showcase in New York and a showcase in L.A., and for whatever reason the response that I generated in L.A. was significantly more enthusiastic.