Zachary Quinto

Zachary Quinto
Zachary John Quintois an American actor and film producer. He is best known for his roles as Sylar on the science fiction drama series Heroes, Spock in the reboot Star Trekand its sequels Star Trek Into Darknessand Star Trek Beyond, as well as his Emmy nominated performance in American Horror Story: Asylum. He also appeared in smaller roles on television series such as So NoTORIous, The Slap, and 24...
NationalityAmerican
ProfessionTV Actor
Date of Birth2 June 1977
CityPittsburgh, PA
CountryUnited States of America
[Edward Snoden] has said many times that he's willing to come back and face trial if he can be guaranteed a fair trial, but the likelihood of that is so slim.
I remember standing outside of the dorm by the little terrace. I was going to do this job that I wasn't 100 percent certain of, which ended up being much more fun than I expected [in So Notorious ].
I probably get eight straight hours of acting in an entire season or two seasons of Suits. It's broken into such small pieces.
I feel like that [the role in Star Trek] is a prime example of, yeah, I got that role and it was awesome, because it changed a lot for me professionally, but then creatively, it became a whole other thing, with J.J. [Abrams] and Chris [Pine] and the people I got to know. Now I just feel like it's our jobs to be open and to keep moving stuff forward. I don't know what that means. This is the first time in a long time that I have no idea what's happening next. As scary as that is, and as anxiety-provoking as that can still be, it's also really exciting.
Leonard [Nimoy] was such a teacher for me. He was one of the most fully realized human beings I have ever known on every level - in his personal life with his personal relationships and his love for his wife and his evolution with his family. Then as an artist, as an actor, as a writer, as a poet, and as a photographer. He never stopped.
My relationship with Leonard [Nimoy] was a byproduct of playing Spock that I never would have imagined, but the more I got to know him, the more I realized, there are no mistakes. I'm playing this role for very specific reasons, and maybe those reasons have to do with where I am creatively in my life, but maybe they have to do with where I am personally in my life. Leonard was such a teacher for me.
I think the goal is always to go deeper within myself, and accept myself on deeper levels and to know myself on deeper levels. Whether or not I look for roles that are going to do that for me, I certainly look for the ways in which the roles I get can do that for me.
While we were shooting the movie, we shot in the actual hotel in Hong Kong where it all went down, the Mira Hotel. Laura Poitras was coming to Hong Kong to do a screening of Citizenfour, and she ended up staying at the Mira Hotel. It was her first time back in Hong Kong, and I ran into her in the elevator. Literally I had just finished shooting one day, and I came back to the hotel and she was in the elevator.
They're mounting a campaign right now with the ACLU and a lot of different organizations advocating for [Edward Snoden] pardoning before [Barack] Obama leaves office. Wouldn't it be incredible to see something like that happen? I don't know what we can expect. I am interested in the different points and perspectives that people have.
It didn't really change my opinion about [Edward] Snowden all that much, but I definitely feel like as a culture, it gave us information that generated a responsibility to protect ourselves as much as we can and also a responsibility to hold our government accountable to honoring our constitutional rights.
It certainly woke me up to how vulnerable we all are. I think I was much more cavalier about it before I started working on the movie [Edward Snowden], and then the more I read the documents themselves and saw just how sweeping and indiscriminate the intrusions into our privacy have been, it made me more aware.
I found it was remarkable. It was so evocative. I feel like it captured the urgency and the chaos, but through the silence of it, through the slowness of it. That's what I loved the most about Citizenfour.
I had to learn how to modulate my performances and interpretations of these roles in auditions for the camera.
I loved auditioning because it was just an opportunity to act. Whether or not I got the job was the next hurdle, but the idea that I would get to act that day was the thing that excited me the most about it.