William Gibson
William Gibson
William Ford Gibsonis an American and Canadian speculative fiction writer and essayist widely credited with pioneering the science fiction subgenre known as cyberpunk. Beginning his writing career in the late 1970s, his early works were bleak, noir, near-future stories that explored the effects of technology, cybernetics, and computer networks on humans—a "combination of lowlife and high tech"—and helped to create an iconography for the information age before the ubiquity of the Internet in the 1990s...
NationalityAmerican
ProfessionNovelist
Date of Birth17 March 1948
CityConway, SC
CountryUnited States of America
That's something that tends to happen with new technologies generally: The most interesting applications turn up on a battlefield, or in a gallery.
If you’re fifteen or so, today, I suspect that you inhabit a sort of endless digital Now, a state of atemporality enabled by our increasingly efficient communal prosthetic memory. I also suspect that you don’t know it, because, as anthropologists tell us, one cannot know one’s own culture.
A book exists at the intersection of the author's subconscious and the reader's response.
His teeth sang in their individual sockets like tuning forks, each one pitch-perfect and clear as ethanol.
We monitor many frequencies. We listen always. Came a voice, out of the babel of tongues, speaking to us. It played us a mighty dub.
Canadian cities looked the way American cities did on television.
Lost, so small amid that dark, hands grown cold, body image fading down corridors of television sky.
Some people dote on contemplating disasters.
Things aren't different. Things are things.
You needed a new pancreas. The one we bought for you frees you from a dangerous dependency.” “Thanks, but I was enjoying that dependency.
The ecological impact of book manufacture and traditional book marketing - I think that should really be considered. We have this industry in which we cut down trees to make the paper that we then use enormous amounts of electricity to turn into books that weigh a great deal and are then shipped enormous distances to point-of-sale retail.
All we really have when we pretend to write about the future is the moment in which we are writing. That's why every imagined future obsoletes like an ice cream melting on the way back from the corner store.
I wanted to make room for antiheroes.
Naps are essential to my process. Not dreams, but that state adjacent to sleep, the mind on waking.