William Gibson
William Gibson
William Ford Gibsonis an American and Canadian speculative fiction writer and essayist widely credited with pioneering the science fiction subgenre known as cyberpunk. Beginning his writing career in the late 1970s, his early works were bleak, noir, near-future stories that explored the effects of technology, cybernetics, and computer networks on humans—a "combination of lowlife and high tech"—and helped to create an iconography for the information age before the ubiquity of the Internet in the 1990s...
NationalityAmerican
ProfessionNovelist
Date of Birth17 March 1948
CityConway, SC
CountryUnited States of America
Cyberspace was a consensual hallucination that felt and looked like a physical space but actually was a computer-generated construct representing abstract data.
We were presented with enough evidence for an indictment to be issued,
Ronnie Earle didn't indict him. The grand jury indicted him.
I feel the time is right for me to relinquish the reins. It has become increasingly obvious to me that we are meeting and surpassing all the goals we had in mind when we took the company public in 1993.
It seems as though the Net itself has become conscious,
I've had a growing frustration, particularly when I would go out and do book tours and interviews. I got frustrated with people asking me, "How do you know what the future is going to be like?" And I'd always say, "I don't.
The history of the past, a hundred years from now, won't be the history of the past that we learned in school because much more will have been revealed, and adjectives we can't even imagine will have been brought to bear on what we did learn in school.
I'm interested in how people all over the world array themselves and go forth in the morning to do whatever they have to do to make a living.
I don't think nostalgia is a healthy modality. But nostalgia and a sense of history are not the same thing. Nostalgia is a dysfunction of the historical impulse, or a corruption of the historical impulse.
I think that our future has lost that capital F we used to spell it with. The science fiction future of my childhood has had a capital F - it was assumed to be an American Future because America was the future. The Future was assumed to be inherently heroic, and a lot of other things, as well.
I didn't have a manifesto. I had some discontent. It seemed to me that midcentury mainstream American science fiction had often been triumphalist and militaristic, a sort of folk propaganda for American exceptionalism.
In a sense, if you're not getting it wrong really a lot when you're creating imaginary futures, then you're just not doing it enough. You're not creating enough imaginary futures.
If you've read a lot of vintage science fiction, as I have at one time or another in my life, you can't help but realise how wrong we get it. I have gotten it wrong more times than I've gotten it right. But I knew that when I started; I knew that before I wrote a word of science fiction.
Sometimes, I can myself be frustrated by books that seem to me to be insufficiently realistic about the world's potential for just being totally a randomly bad place.