Tim Burton

Tim Burton
Timothy Walter "Tim" Burtonis an American film director, producer, artist, writer and animator. He is known for his dark, gothic and quirky fantasy films such as Beetlejuice, Edward Scissorhands, the animated musical The Nightmare Before Christmas, the biographical film Ed Wood, the horror fantasy Sleepy Hollow, and later efforts such as Corpse Bride, Sweeney Todd: The Demon Barber of Fleet Street, Dark Shadowsand Frankenweenie. He is also known for blockbusters such as the adventure comedy Pee-wee's Big Adventure, the superhero...
NationalityAmerican
ProfessionDirector
Date of Birth25 August 1958
CityBurbank, CA
CountryUnited States of America
There's just something visceral about moving a puppet frame by frame. There's a magical quality about it. Maybe you can get smoother animation with computers, but there's a dimension and emotional quality to this kind of animation that fits these characters and this story.
Each time I've worked with Johnny, he's something different. He's interested in being a character and not necessarily interested in his persona, and I find it very exciting to work with actors like that. He's really willing to take risks that don't have to do with image or money. And each time is just different and better. It's great to find people like that you can communicate with on an almost subconscious level.
When I saw Carlos's drawings, they reminded me a little of the way I draw. They showed that you could make appealing human characters.
I happened to be listening to David Bowie's 'Heroes,' ... That, and a colleague in Austria was teaching heroism to Americans - how we spend lots of time discussing heroism.
I felt quite connected with Carlos before I met him.
With other people she can play humans. With me, it's completely non-human characters.
We're trying to make employees more conscious of what they are buying.
It's two thirds cheaper than other animated films. As animated films go this is low budget.
It's almost the best cast I think I've ever worked with. The voices are so distinctive, they really nailed their characters. ... For me, in this particular case, it almost becomes more like a live-action movie, because their voices are so strong.
It's funny, because 'Nightmare' wasn't a real success when it came out ...
It was a very beautiful. It is a beautiful combination because it matches up so well, that's a tribute to the animators.
People say I am stuck in childhood, but it's not that. I remember seeing a Matisse retrospective, and you could see he started out one way, and then he tried something different, and then he seemed to spend his whole life trying to get back to the first thing.
There's something about seeing this little inanimate object coming to life that's just very exciting. That's why with 'Nightmare' I held out for so long to do it.
A lot of things you see as a child remain with you... you spend a lot of your life trying to recapture the experience.