Tim Burton
Tim Burton
Timothy Walter "Tim" Burtonis an American film director, producer, artist, writer and animator. He is known for his dark, gothic and quirky fantasy films such as Beetlejuice, Edward Scissorhands, the animated musical The Nightmare Before Christmas, the biographical film Ed Wood, the horror fantasy Sleepy Hollow, and later efforts such as Corpse Bride, Sweeney Todd: The Demon Barber of Fleet Street, Dark Shadowsand Frankenweenie. He is also known for blockbusters such as the adventure comedy Pee-wee's Big Adventure, the superhero...
NationalityAmerican
ProfessionDirector
Date of Birth25 August 1958
CityBurbank, CA
CountryUnited States of America
There's a roughness and a surprising nature to most B movies that you don't get in classic films-something more immediate. I never chose those movies to leave impressions in my brain, they just did.
He's basically a great character actor in a leading man's body. He's always kept that integrity. To me, it's something I find that's really amazing in this business.
People might say 'oh its too dark and scary' for children but you could say that about 'Nightmare before Christmas' also. People say their dog even liked watching 'Nightmare Before Christmas'. So this is for animals, children, whoever.
My kid is a product of the fast computer lifestyle.
The good thing about animation is that you can affect it. If something is not working, then you just fix it.
The problem with film is you never know when you're going to be able to make a film so you can't have people waiting around for you. Sometimes it's fun to work with the same people and work with new people and mix it up.
The great thing about visual horror films is there's real potential for strong, beautiful imagery. It's the one genre that really lends itself to creating strong images. And I've always loved that idea of windmills - your mind aimlessly spinning.
People always think I get really good reviews, but I don't. That's why I don't go on the Internet much - because you can go down a dark hole looking at stuff. Once, I clicked on my name and freaked out. It's too bizarre, it's too weird, it's too unsettling.
You can learn a lot from children because they see things new every day. That's the beauty of what you want to achieve as an artist - seeing things in a different way. Kids are constantly saying things that are funny and surprising and their observations are just... you know, they're like little artists themselves.
Technology is technology and then art form and people's creativity is another thing. Anything that helps an artist do anything - great! Technology for technology sake doesn't mean much to me anyway.
3D is great, but I just think of it as another tool, like colour or music or sound. It has the potential to add another emotional layer to certain things if you use it right. But it's not the saviour [of the movies], the be all and end all, the reason to do something.
I'm not a big fan of spiders, rats, especially if they're like - I got up one morning on a holiday recently, and there was a centipede in the bed that big. I wasn't very happy about that.
First of all, you make a movie that you want to see and then you just hope for the best.
That's what I always loved about [Federico] Fellini's films: You see the weird joy of the weird filmmaking family and the abstract craziness that goes along with it, and there's something about it that's quite beautiful.