Tim Burton
Tim Burton
Timothy Walter "Tim" Burtonis an American film director, producer, artist, writer and animator. He is known for his dark, gothic and quirky fantasy films such as Beetlejuice, Edward Scissorhands, the animated musical The Nightmare Before Christmas, the biographical film Ed Wood, the horror fantasy Sleepy Hollow, and later efforts such as Corpse Bride, Sweeney Todd: The Demon Barber of Fleet Street, Dark Shadowsand Frankenweenie. He is also known for blockbusters such as the adventure comedy Pee-wee's Big Adventure, the superhero...
NationalityAmerican
ProfessionDirector
Date of Birth25 August 1958
CityBurbank, CA
CountryUnited States of America
People might say 'oh its too dark and scary' for children but you could say that about 'Nightmare before Christmas' also. People say their dog even liked watching 'Nightmare Before Christmas'. So this is for animals, children, whoever.
You can learn a lot from children because they see things new every day. That's the beauty of what you want to achieve as an artist - seeing things in a different way. Kids are constantly saying things that are funny and surprising and their observations are just... you know, they're like little artists themselves.
A lot of things you see as a child remain with you you spend a lot of your life trying to recapture the experience.
Mr. Smith yelled at the doctor, What have you done to my boy? He's not flesh and blood, he's aluminum alloy!" The doctor said gently, What I'm going to say will sound pretty wild. But you're not the father of this strange looking child. You see, there still is some question about the child's gender, but we think that its father is a microwave blender.
Anybody with artistic ambitions is always trying to reconnect with the way they saw things as a child.
Each time I've worked with Johnny, he's something different. He's interested in being a character and not necessarily interested in his persona, and I find it very exciting to work with actors like that. He's really willing to take risks that don't have to do with image or money. And each time is just different and better. It's great to find people like that you can communicate with on an almost subconscious level.
There's just something visceral about moving a puppet frame by frame. There's a magical quality about it. Maybe you can get smoother animation with computers, but there's a dimension and emotional quality to this kind of animation that fits these characters and this story.
When I saw Carlos's drawings, they reminded me a little of the way I draw. They showed that you could make appealing human characters.
I happened to be listening to David Bowie's 'Heroes,' ... That, and a colleague in Austria was teaching heroism to Americans - how we spend lots of time discussing heroism.
I felt quite connected with Carlos before I met him.
With other people she can play humans. With me, it's completely non-human characters.
We're trying to make employees more conscious of what they are buying.
It's two thirds cheaper than other animated films. As animated films go this is low budget.
It's almost the best cast I think I've ever worked with. The voices are so distinctive, they really nailed their characters. ... For me, in this particular case, it almost becomes more like a live-action movie, because their voices are so strong.