Steven Soderbergh
Steven Soderbergh
Steven Andrew Soderberghis an American film producer, director, screenwriter, cinematographer and editor. His indie drama Sex, Lies, and Videotapewon the Palme d'Or at the Cannes Film Festival, and became a worldwide commercial success, making the then-26-year-old Soderbergh the youngest director to win the festival's top award. Film critic Roger Ebert dubbed Soderbergh the "poster boy of the Sundance generation"...
NationalityAmerican
ProfessionDirector
Date of Birth14 January 1963
CountryUnited States of America
reading people stuff
I stopped reading reviews about my own movies. I read stuff about other people's movies.
thinking stuff-i-like trying
Stuff I like is getting trashed and stuff that is being praised I think is terrible. I don't really feel in sync with what's happening, but at the same time, what I think keeps me afloat is that I try not to be, and don't want to be, very indulgent. I try to make the films as lean as possible, and to not spend a lot of time crawling up my own ass creatively.
ideas people stuff
There are people who are originals and the stuff they make really is new. It isn't based on anything else. But I've decided I'm not that-I was never that. My abilities are to synthesize a wide range of references and ideas into something that feels relatively unified and coherent.
thinking people stuff
You can't change who you are, so I think that the only thing you can do is just never talk to people about stuff and then hope that maybe does something.
director
Is it inappropriate for the director of 'Ocean's Twelve' to go to Belpre, Ohio?
aesthetic form moment rage reality shows tv
Reality shows are all the rage on TV at the moment ... but that's not reality, it's just another aesthetic form of fiction.
consumers instead larger mean run technology
The technology is there. Consumers now want choice, and they should have it. At the very least, let's find out -- instead of speculating -- what it's going to mean in the long run and in the larger picture.
basic free
At the most basic level, it's a lot of free publicity.
control experience matter people screen seeing trying
I don't think we should be trying to control how people experience art. They can see it on a screen or on a T-shirt. If you've got something that's interesting, it just really doesn't matter how they're seeing it.
across chicken club
I was at the Laundromat every Sunday, the one over across the (Belpre) bridge. I'd go to the Laundromat and then I'd have the chicken club at Wendy's.
beat destroyed game night straight talking trash
We had a big night over there, where I destroyed Misty Wilkins in a game of straight pool. She was talking trash and we went over there and I beat her senseless.
characters goal screenplay talk
I wanted to be as site-specific as possible. I said to each actor, 'I want you to talk about things you know about.' There's a screenplay but the goal was to incorporate as much of them into the characters as possible.
agreement both camera care experience exploiting honest issue line matters ohio people pick point sides
That line doesn't exist, ... It's all exploitation. I mean, it is if you're honest about it. You pick up a camera and point it at someone, you are exploiting them. I don't care who you are. The issue to me is what is the agreement between you and the person you are exploiting? But I know the experience we had in Ohio and how people on both sides of the camera felt. And that is what matters to me.
access art biggest carries heard hold interested might near people soon store video
The biggest thing is people having access to the movie who might not have access to it for a while. They might have read about it and they're interested but they don't live near an art cinema, or they don't have a video store that carries this kind of stuff, and this way they can get it and get a hold of it as soon as they've heard about it.