Steven Soderbergh

Steven Soderbergh
Steven Andrew Soderberghis an American film producer, director, screenwriter, cinematographer and editor. His indie drama Sex, Lies, and Videotapewon the Palme d'Or at the Cannes Film Festival, and became a worldwide commercial success, making the then-26-year-old Soderbergh the youngest director to win the festival's top award. Film critic Roger Ebert dubbed Soderbergh the "poster boy of the Sundance generation"...
NationalityAmerican
ProfessionDirector
Date of Birth14 January 1963
CountryUnited States of America
Is it inappropriate for the director of 'Ocean's Twelve' to go to Belpre, Ohio?
I'm very comfortable with failure. I'm very comfortable being the guy who disappoints people.
When you're sent something and read it, either you can see it while you read it, or you can't.
Reality shows are all the rage on TV at the moment, but that's not reality, it's just another aesthetic form of fiction.
The key is, if you're not monkeying around with the script, then everything usually goes pretty well.
A movie that costs only $1.6 million doesn't have to be a cultural event to turn a profit.
I was lucky that I was getting exposed to a lot of different kinds of films, and I was liking them all. So it seemed logical to me that you could - as in the style of the studio directors of the 30s and 40s - jump from one genre to the next, with the same satisfaction.
It's pretty clear to me that working as a director for hire agrees with me. I like it. The films that have come out of that, I personally like better than the ones that didn't.
To me the director’s job is to leave it in better shape than you found it, literally.
Reality shows are all the rage on TV at the moment ... but that's not reality, it's just another aesthetic form of fiction.
The technology is there. Consumers now want choice, and they should have it. At the very least, let's find out -- instead of speculating -- what it's going to mean in the long run and in the larger picture.
At the most basic level, it's a lot of free publicity.
I don't think we should be trying to control how people experience art. They can see it on a screen or on a T-shirt. If you've got something that's interesting, it just really doesn't matter how they're seeing it.
I was at the Laundromat every Sunday, the one over across the (Belpre) bridge. I'd go to the Laundromat and then I'd have the chicken club at Wendy's.