Steven Soderbergh
Steven Soderbergh
Steven Andrew Soderberghis an American film producer, director, screenwriter, cinematographer and editor. His indie drama Sex, Lies, and Videotapewon the Palme d'Or at the Cannes Film Festival, and became a worldwide commercial success, making the then-26-year-old Soderbergh the youngest director to win the festival's top award. Film critic Roger Ebert dubbed Soderbergh the "poster boy of the Sundance generation"...
NationalityAmerican
ProfessionDirector
Date of Birth14 January 1963
CountryUnited States of America
We had a big night over there, where I destroyed Misty Wilkins in a game of straight pool. She was talking trash and we went over there and I beat her senseless.
At the most basic level, it's a lot of free publicity.
I was at the Laundromat every Sunday, the one over across the (Belpre) bridge. I'd go to the Laundromat and then I'd have the chicken club at Wendy's.
I don't think we should be trying to control how people experience art. They can see it on a screen or on a T-shirt. If you've got something that's interesting, it just really doesn't matter how they're seeing it.
We feel in many cases we're going to get a better response to some of our movies in Europe, or outside of the United States, than in the United States.
I'm very comfortable with failure. I'm very comfortable being the guy who disappoints people.
When you're sent something and read it, either you can see it while you read it, or you can't.
Reality shows are all the rage on TV at the moment, but that's not reality, it's just another aesthetic form of fiction.
The key is, if you're not monkeying around with the script, then everything usually goes pretty well.
It added realism. Every once in a while, it's nice to see somebody on screen who you felt was from that place and spoke like somebody from that place.
The technology is there. Consumers now want choice, and they should have it. At the very least, let's find out -- instead of speculating -- what it's going to mean in the long run and in the larger picture.
I just wanted to make a movie about love and jealousy, ... but in an environment that you don't often get to see in movies. The whole appeal was the simplicity of it. The idea was just to not tart it up. These cameras make it easy to go in without any lights, on all real locations.
I liked that he was prolific. I liked the subject matter. I envied his ability to really be a part of the worlds that he portrayed. He was in it in a way that I could never be. And, I don't know, just the bluntness of his movies or most of them, I really like. I was watching a lot of them and had some of them with me when I was in Ohio, not to ape anything in specific, just for the feeling.
I want them to sell 'Bubble' DVDs in the theater lobby,