Siri Hustvedt
Siri Hustvedt
Siri Hustvedtis an American novelist and essayist. Hustvedt is the author of a book of poetry, six novels, two books of essays, and several works of non-fiction. Her books include: The Blindfold, The Enchantment of Lily Dahl, What I Loved, for which she is best known, A Plea for Eros, The Sorrows of an American, The Shaking Woman or A History of My Nerves, The Summer Without Men, Living, Thinking, Looking, and The Blazing World. What I Loved and The...
NationalityAmerican
ProfessionNovelist
Date of Birth19 February 1955
CityNorthfield, MN
CountryUnited States of America
Dreaming is another form of thinking, more concrete, more economical, more visual, and often more emotional than the thoughts of the day, but a thinking through of the day, nevertheless.
The recollections of an older man are different from those of a younger man. What seemed vital at forty may lose its significance at seventy. We manufacture stories, after all, from the fleeting sensory material that bombards us at every instant, a fragmented series of pictures, conversations, odors, and the touch of things and people. We delete most of it to live with some semblance of order, and the reshuffling of memory goes on until we die.
Great books are the ones that are urgent, life-changing, the ones that crack open the reader’s skull and heart.
Reading is perception as translation. The inert signs of an alphabet become living meanings in the mind.
Time is not outside us, but inside. Only we live with past, present, and future, and the present is too brief to experience anyway; it is retained afterward and then it is either codified or it slips into amnesia.
Reading is a private pursuit; one that takes place behind closed doors.
under our love making I felt a bleakness that couldnt be dispelled. The sadness was in both of us, and I think we pitied ourselves that night, as if we were other people looking down on the couple who lay together on the bed
Memory is essential to who we are, and memories can be both implicit and explicit - unconscious and conscious.
That night as I lay in bed, I thought of several things I could have said and mourned the fact that my wit usually bloomed late, peaking when it no longer mattered, during the solitary hours close to midnight.
I don't want the words to be naked the way they are in faxes or in the computer. I want them to be covered by an envelope that you have to rip open in order to get at. I want there to be a waiting time -a pause between the writing and the reading. I want us to be careful about what we say to each other. I want the miles between us to be real and long. This will be our law -that we write our dailiness and our suffering very, very carefully.
Widowers marry again because it makes their lives easier. Widows often don't, because it makes their lives harder. [p. 61]
Libraries are sexual dream factories. The langour brings it on.
Not telling is just as interesting as telling I have found. Why speech, that short verbal journey from inside to outside can be excrutiating under certain circumstances is fascinating.
All human states are organic brain states - happiness, sadness, fear, lust, dreaming, doing math problems and writing novels - and our brains are not static.