Samuel Johnson

Samuel Johnson
Samuel Johnson, often referred to as Dr Johnson, was an English writer who made lasting contributions to English literature as a poet, essayist, moralist, literary critic, biographer, editor and lexicographer. Johnson was a devout Anglican and committed Tory, and has been described as "arguably the most distinguished man of letters in English history". He is also the subject of "the most famous single biographical work in the whole of literature," James Boswell's Life of Samuel Johnson...
NationalityEnglish
ProfessionNon-Fiction Author
Date of Birth18 September 1709
Allegories drawn to great length will always break.
New arts are long in the world before poets describe them; for they borrow everything from their predecessors, and commonly derive very little from nature or from life.
Words too familiar, or too remote, defeat the purpose of a poet. From those sounds which we hear on small or on coarse occasions, we do not easily receive strong impressions, or delightful images; and words to which we are nearly strangers, whenever they occur, draw that attention on themselves which they should transmit to other things.
He who writes much will not easily escape a manner, such a recurrence of particular modes as may be easily noted.
A writer who obtains his full purpose loses himself in his own lustre.
I look upon this as I did upon the Dictionary: it is all work, and my inducement to it is not love or desire of fame, but the want of money, which is the only motive to writing that I know of.
Consultation and compliance can conduce little to the perfection of any literary performance; for whoever is so doubtful of his own abilities as to encourage the remarks of others, will find himself every day embarrassed with new difficulties, and will harass his mind, in vain, with the hopeless labour of uniting heterogeneous ideas, digesting independent hints, and collecting into one point the several rays of borrowed light, emitted often with contrary directions.
A successful author is equally in danger of the diminution of his fame, whether he continues or ceases to write. The regard of the public is not to be kept but by tribute, and the remembrance of past service will quickly languish unless successive performances frequently revive it. Yet in every new attempt there is new hazard, and there are few who do not, at some unlucky time, injure their own characters by attempting to enlarge them.
It is much easier not to write like a man than to write like a woman.
It is the condition of our present state to see more than we can attain; the exactest vigilance and caution can never maintain a single day of unmingled innocence... It is, however, necessary for the idea of perfection to be proposed, that we may have some object to which our endeavours are to be directed; and he that is most deficient in the duties of life makes some atonement for his faults if he warns others against his own failings, and hinders, by the salubrity of his admonitions, the contagion of his example.
It is not difficult to conceive, however, that for many reasons a man writes much better than he lives. For without entering into refined speculations, it may be shown much easier to design than to perform. A man proposes his schemes of life in a state of abstraction and disengagement, exempt from the enticements of hope, the solicitations of affection, the importunities of appetite, or the depressions of fear.
Among the many inconsistencies which folly produces or infirmity suffers in the human mind, there has often been observed a manifest and striking contrariety between the life of an author and his writings... Those whom the appearance of virtue or the evidence of genius has tempted to a nearer knowledge of the writer, in whose performances they may be found, have indeed had frequent reason to repent their curiosity.
It is justly considered as the greatest excellency of art to imitate nature; but it is necessary to distinguish those parts of nature which are most proper for imitation: greater care is still required in representing life, which is so often discoloured by passion or deformed by wickedness. If the world be promiscuously described, I cannot see of what use it can be to read the account; or why it may not be as safe to turn the eye immediately upon mankind, as upon a mirror which shows all that presents itself without discrimination.
The task of an author is, either to teach what is not known, or to recommend known truths by his manner of adorning them; either to let new light in upon the mind, and open new scenes to the prospect, or to vary the dress and situation of common objects, so as to give them fresh grace and more powerful attractions, to spread such flowers over the regions through which the intellect has already made its progress, as may tempt it to return, and take a second view of things hastily passed over, or negligently regarded.