Salman Rushdie
Salman Rushdie
Sir Ahmad Salman Rushdie, FRSL, احمد سلمان رشدی; born 19 June 1947) is a British Indian novelist and essayist. His second novel, Midnight's Children, won the Booker Prize in 1981. Much of his fiction is set on the Indian subcontinent. He combines magical realism with historical fiction; his work is concerned with the many connections, disruptions, and migrations between Eastern and Western civilizations...
NationalityIndian
ProfessionNovelist
Date of Birth19 June 1947
CityMumbai, India
CountryIndia
Very often, people who actually pick up a book of mine for the first time are kind of surprised. And I get these letters saying, well, who knew that you were good, you know?
perhaps, if one wishes to remain an individual in the midst of the teeming multitudes, one must make oneself grotesque.
Fundamentalists of all faiths are the fundamental evil of our time.
My father decided that he was such a admirer of Ibn Rushd's philosophy, thinking that he changed the family name to Rushdie. I realized why my father was so interested in him, because he was really an incredibly modernizing voice inside our Islamic culture.
was living in New York at the time of the 9/11 attacks. And I remember, you know, in those weeks that followed, when none of us spoke about anything else really, a number of friends of mine, people I knew, including very experienced journalists, I heard them saying things like, well, now we understand what happened to you.
You don't just - you often have to defend the freedoms of people you don't like, you know, whose work you don't like, because freedom of speech is not just for serious people. It's also for trashy people. So, and, unfortunately, this is at the trashy end of the scale.
I have never really thought of myself as a writer about religion. And I think one of the things that happened to me as a result of all that is that I think it did for some people, many people, obscure the kind of writer that I actually am.
One of the problems with defending free speech is you often have to defend people that you find to be outrageous and unpleasant and disgusting.
I had become a kind of information magpie, gathering to myself all manner of shiny scraps of fact and hokum and books and art-history and politics and music and film, and developing, too, a certain skill in manipulating and arranging these pitiful shards so that they glittered and caught the light. Fool's gold, or priceless nuggets mined from my singular childhood's rich bohemian seam? I leave it to others to decide.
Reality is a question of perspective;
Once you get that instinct for the fictiveness, the fictionality of fiction, it kind of sets you free.
Our lives teach us who we are.
Until you know who you are you can’t write.
Laila Lalami has fashioned an absorbing story of one of the first encounters between Spanish conquistadores and Native Americans, a frightening, brutal, and much-falsified history that here, in her brilliantly imagined fiction, is rewritten to give us something that feels very like the truth.