Salman Rushdie

Salman Rushdie
Sir Ahmad Salman Rushdie, FRSL, احمد سلمان رشدی; born 19 June 1947) is a British Indian novelist and essayist. His second novel, Midnight's Children, won the Booker Prize in 1981. Much of his fiction is set on the Indian subcontinent. He combines magical realism with historical fiction; his work is concerned with the many connections, disruptions, and migrations between Eastern and Western civilizations...
NationalityIndian
ProfessionNovelist
Date of Birth19 June 1947
CityMumbai, India
CountryIndia
Both are responsible. But I know when I write a book it's my name on the book, so I stand or fall by what I sign. And so must she.
One of the strange things that happens when you publish a book is that you begin ... to see what resonances it has for the readers, ... Sometimes you begin to understand your book a bit more.
I think it's a stupid way to read a book, ... to say that because something happens to one person the author is trying to suggest that all people are like this. The novel is the art of the particular. And I'm talking about a particular person whose development from innocence to guilt, if you like, is his own particular narrative arc. The point is to make that coherent - not to read the book as some kind of simple allegory, but to read it as a story about a person.
I don't like books that seem to want to teach me things. Which is not to say that one doesn't learn from books - but you do your own learning in your own way.
What I've always tried to find in my books are points at which the private lives of the characters, and also my own, intersect with the public life of the culture.
When 'Midnight's Children' came out, people in the West tended to respond to the fantasy elements in the novel, to praise it in those terms. In India, people read it like a history book.
When I'm writing a book, sentence by sentence, I'm not thinking theoretically. I'm just trying to work out the story from inside the characters I've got.
When I'm writing books, something weird happens; and the result is the books contain a large amount of what you could call 'supernaturalism.' As a writer, I find I need that to explain the world I'm writing about.
When you are writing a book, it feels as if you are simply concentrating on the world of the book and that whatever is happening in your personal life is outside the room, as it were. But maybe that's just the way you have to talk to yourself to make it possible.
In the end, you write the book that grabs you by the throat and demands to be written.
People are always telling me that they've seen people reading my books on the subway, or the beach, or whenever.
I don't like books that play to the gallery, but I've become more concerned with telling a story as clearly and engagingly as I can.
I grew up reading 'The Jungle Books' and loving them.
One of the things I do take some pride in is that if you had never read an article about my life, if you knew nothing about me, except that my books were being set in front of you to read, and if you were to read those books in sequence, I don't think you would say to yourself, 'Oh my God, something terrible happened to this writer in 1989.'