Salman Rushdie

Salman Rushdie
Sir Ahmad Salman Rushdie, FRSL, احمد سلمان رشدی; born 19 June 1947) is a British Indian novelist and essayist. His second novel, Midnight's Children, won the Booker Prize in 1981. Much of his fiction is set on the Indian subcontinent. He combines magical realism with historical fiction; his work is concerned with the many connections, disruptions, and migrations between Eastern and Western civilizations...
NationalityIndian
ProfessionNovelist
Date of Birth19 June 1947
CityMumbai, India
CountryIndia
As a writer, one of the things we all learned from the movies was a kind of compression that didn't exist before people were used to watching films. For instance, if you wanted to write a flashback in a novel, you once had to really contextualize it a lot, to set it up. Now, readers know exactly what you're doing. Close-ups, too.
I do think there was a period there when my sanity was under intense pressure, and I didn't know what to say or do or how to act. I was literally living from day to day.
When you're writing for the screen, you have to be hyper-conscious every moment of how the audience is going to react. If you write just one scene where the audience is confused or it breaks their concentration in some way, then you've lost them, and you might never get them back.
We have come to think of taking offence as a fundamental right. We value very little more highly than our rage, which gives us, in our opinion, the moral high ground. From this high ground we can shoot down at our enemies and inflict heavy fatalities.
Fundamentalists believe that we don't believe in anything. In their view of the world, they are in possession of absolute certainties, while we are descending into decadence. We will be able to triumph over terrorism not by waging war on it, but through a conscious, fearless way of life.
No, I don't think it's fair to label Islam 'violent.' But I will say that to my knowledge, no writer has ever gone into hiding for criticizing the Amish.
When you're writing for the screen you're really thinking all the time of what you have to do to make sure that they have the information that they need, that the emotional thread is not snapped, that the story moves at the right speed, to keep the audience hopefully sitting on the edge of their seats or else weeping or laughing.
He knew what he knew: that the real world was full of magic, so magical worlds could easily be real.
When people use the term magic realism, usually they only mean 'magic' and they don't hear 'realism', whereas the way in which magic realism actually works is for the magic to be rooted in the real. It's both things. It's not just a fairytale moment. It's the surrealism that arises out of the real.
Reading is a very different thing than performing. In fact, one of the things I think that doesn't work in books on tape is if the person doing the reading "acts" too much; it becomes irritating to you listening to it.
I've never seen anywhere in the world as beautiful as Kashmir. It has something to do with the fact that the valley is very small and the mountains are very big, so you have this miniature countryside surrounded by the Himalayas, and it's just spectacular. And it's true, the people are very beautiful too.
Where there is no belief, there is no blasphemy.
God, Satan, Paradise, and Hell all vanished one day in my fifteenth year, when I quite abruptly lost my faith. ... and afterwards, to prove my new-found atheism, I bought myself a rather tasteless ham sandwich, and so partook for the first time of the forbidden flesh of the swine. No thunderbolt arrived to strike me down. ... From that day to this I have thought of myself as a wholly secular person.
I have no problem with people's religious beliefs. I just don't happen to have any.